Melanie Bell

Author, Writer, Editor

Tag Archives: conference


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The Bestseller Experiment: Can You Write a Bestselling Book in a Year?

For two years, I’ve wanted to go to London Book Fair. This year I was finally going to get there, accompanying colleagues to look after ICE Publishing’s stand, network, and learn. Then, as you can probably guess, the fair was cancelled due to the coronavirus. The sound reason did not dim my disappointment. Despite the cancellation, though, I got one good thing out of the London Book Fair: acquaintance with the Bestseller Experiment. 

When reading through the list of Insights Seminars planned for the fair, I saw that there was a live episode planned for the Bestseller Experiment podcast. The name intrigued me. A bestseller is a big promise. What could a “bestseller experiment” be and how did it work? I looked the podcast up and discovered it was created by two British men, both named Mark, who sought to write, edit, publish, and market a bestselling book in a year. What an awesomely audacious goal! I began listening, and soon I was hooked. 

The pair of podcasters make appealing foils for each other. Mark Stay is a seasoned writer, with a novel and movie to his name, and a veteran employee of the traditional publishing industry. With the benefits and cynicism of experience, he acts as the podcast’s pessimist, skeptical of the likelihood of success but game to go forward. Mark Desvaux, a Canada-based life coach who’d started books prior to the podcast but hadn’t finished them, is the pair’s optimist, bringing enthusiastic belief in their success and a sense of spirituality to offset his co-host’s national outlook. It’s fun to listen to the two Marks bouncing off each other. What really makes the podcast shine, though, is the caliber of its interviews. 

From the get-go, Mark and Mark interview industry professionals and bestselling authors of both traditional and indie titles. They set out to find the “secret sauce” that makes a book or an author into a bestseller, speaking to the likes of Bryan Cranston, Joanne Harris, Joe Abercrombie, Michelle Paver, Shannon Mayer, and professionals from NaNoWriMo, Kindle Direct Publishing, authors, agents, editors, and more. All the interviewees speak lucidly and eloquently about their craft and share a wealth of knowledge about the industry. Their writing journeys differ, from those who have worked in obscurity for years before having a sales or publishing “breakthrough” to early success stories, from those who hate revision to those who love it, but all share a belief in writing success because they have all experienced it. Every episode I’ve listened to so far has been worth the time, and all have left me with a feeling of hope.  

What bestselling secrets has the podcast shared? So far, the interviewed authors share a belief in taking yourself seriously as a writer (most of them write every day and set themselves word counts), having deadlines (I share their experience of writing faster when somebody gives me a due date), and writing about topics that matter to you. Again and again, the authors reiterate that you can’t write a bestseller cynically, and that good books come out of love of the subject you’re writing about. Many of them recommend go-to books on the craft of writing, and some share marketing tips. Editors and agents encourage writers not to worry about trends and to write what they’re interested in. The need for self-care when writing is also explored.  

The Marks also share the stages of their journey in writing a book. In one of my favorite episodes, Ben Aaronovitch tells them off for writing a 50,000-word “outline”! I also enjoyed listening to the Marks discuss an editor’s critique of their manuscript. Since they wrote about a female protagonist, the editor suggested using a female pseudonym, and I’m pleased to note that they succeeded without one (though Mark Desvaux used the shorter pen name ‘Mark Oliver’). It’s no spoiler to note that the Marks indeed wrote and self-published a Kindle bestselling novel in a year. Back to Reality is a fast-paced story about time-travel, body swapping and the lives one could have lived. Its success doesn’t surprise me given the excellence of the Marks’ podcasting platform, but it does make me smile. They did it! And the podcast is still going and growing, with many of their listeners publishing books including more bestsellers. If you’ve ever dreamed of writing a bestseller, you might enjoy listening to it, too. Thank you, London Book Fair!   


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5 Reasons to Go to a Writers’ Conference

Last month I attended Gollanczfest 2019, a one-day celebration of science fiction, fantasy and horror writing and publishing, hosted by leading UK SFF publisher Gollancz. The conference had two separate strands. A reader’s ticket gave access to author panels and signings, while a writer’s ticket granted entry to the smaller venue across the street, where, in addition to signings and panels (included editor and agent panels), authors gave speed-advice sessions. I came to the morning sessions on a reader’s ticket and had a great time meeting people and learning. 

If you write, edit, or read avidly, a writers’ conference can be a worthwhile use of time and money. The good news is that there are lots of writers’ conferences out there, ranging from one-day events to multi-week ones, from genre celebrations like Gollanczfest to wide-ranging get-togethers, from inexpensive local dos to festivals full of international delegates and big names. If you do some googling, you’ll probably find some that will pique your interest.

You might be wondering what you can get out of a writers’ conference that can’t be found from said googling. While online learning is great, there’s no substitute for contact in the real world. Here are 5 benefits I’ve gained from going to writers’ conferences.

Meeting people: Conferences are useful for networking. You’ll meet individuals from across the industry, including authors, editors, publishers, and readers. Networking can lead to career opportunities. At the Scottish Association of Writers’ 2018 Conference, I met a new freelance client, and some writers meet their agents or editors at conferences. It can also lead to lifelong friendships. I recommend attending with an open mind and an interest in getting to know people.

Learning about the industry: Writers’ conferences are chock full of industry people talking about what’s new in publishing. You’ll learn about trends, themes, and the nuts and bolts of publication. You might also learn about related fields – one of my favorite parts of Gollanczfest was a panel where four authors whose books had been made into movies talked about the process. A takeaway point from Ben Aaronovitch (author of Rivers of London): If you want any creative control, assert your requirements from the outset and be willing to not have a movie made otherwise. Also, be clear on what price you are willing to accept.

Meeting authors and getting new books: I’m listing this separately from meeting people because, in addition to meeting authors at sessions and “in the crowd”, writers’ conferences usually bring in authors to lead panels, give readings, and do signings and other events. Sometimes it’s intimidating to approach a big-name or favorite author, or they’re too busy to chat. But you might have the chance to pick up one of their books and have them sign it, learn from their experiences, or hear them make funny character voices. And writing conferences always come with a book table full of goodies – some of which may be hard to find outside the conference, and some of which may be that next exciting read you’ve never heard of. Don’t show up with an empty wallet!  

Getting a better sense of your own writing approach: While listening to and interacting with the writing community, you’ll find some authors and approaches to writing that resonate with you and some that don’t. It’s a good chance to tune in to your own taste – that inner voice that tells you what’s worth writing about, for you personally, and how you want to go about doing it. It was illuminating for me to listen to panelists discussing worldbuilding from opposite angles – Alexander Dan Vilhjálmsson set detailed rules for himself regarding language and setting, while Ellen Kushner started by following a character around and combining elements of historical periods that seemed cool. Writing is a big industry with room for many kinds of voices, and hearing how other people tell stories can feel like permission to tell your own. 

Having fun! A big part of writers’ conferences involves business and talking shop, but when you get a bunch of people together who share a common interest, they’re also bound to have a good time. At Gollanczfest, I got to meet Laura Lam/Laura Ambrose, whose Romancing the Page series I reviewed, and chat with her and other writers during a break. At the 2018 Scottish conference, I played trivia with friends from my writers’ group and we won a round of free drinks. There were lots of hearty shared breakfasts and in-jokes flying around. If you go to a writers’ conference, be ready to jump in, don’t be shy, and you’re likely to have a wonderful time!  


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Literary Adventures at Sea

Jewelle Gomez and Dorothy Allison onstage with Sapphire Books owner Chris Svendsen

Fellow book lovers, have you ever daydreamed about going on a literary cruise? I’ve thought they sounded like fun ever since I learned they existed. Despite getting sick on the last cruise I went on, after receiving a deal offer from Olivia Travel on a lesbian cruise featuring a full slate of author events, I couldn’t resist giving vacation at sea another try.

Our cruise left from beautiful San Juan, Puerto Rico. The itinerary included port visits on several Caribbean islands, as well as daily music or comedy shows, so there was plenty to do besides hitting the books! After getting a sunburn while touring San Juan, stuffing myself at the buffet, and giving airtime to my athletic side on excursions, though, the quiet and reflectiveness of the literary programming was welcome.

Sapphire Books is a small, California-based publisher of lesbian books, primarily fiction. This was their second Literary Adventures at Sea cruise collaboration with Olivia, and they pulled out all the stops, bringing maybe a dozen authors and the owner/founder on board. The two biggest names were Dorothy Allison, author of Bastard Out of Carolina, and Jewelle Gomez, author of the classic lesbian vampire novel The Gilda Stories (which is soon getting a sequel, over 25 years later!). Both are longtime writers and activists in the queer community. Sapphire’s programming included panels, a main stage discussion between Dorothy and Jewelle, themed readings (such as murder mystery and romance readings), Q and A’s, a cocktail party, and book signings. There was also an opportunity for writers to pitch their projects to publisher Chris Svendsen.

The pitch session was a highlight, surprising Chris with the sheer number of attendees. She’d been expecting a small group, but as the pitches were one-on-one, she had to break the session into two and schedule another one at a later time for some of the participants. It was clear that the queer women on the cruise were eager to tell their stories. Many, like me, had been drawn by the cruise’s literary events. It was inspiring to chat with women about their writing projects – anthologies, detective novels, humorous novels, memoirs. Each of us had five minutes to pitch to Chris. Along with her advice at the beginning of the session, at least one Sapphire author was on hand to offer tips: give a brief plot summary, a hook or tag line like you’d find on the back of a movie, and leave out irrelevant details.

Among the readings and panels, “Romancing the High Seas” stood out. Authors read from works ranging from a spicy story involving a nun to a science fantasy yarn to a tale of four “women of a certain age” with lovers and secrets. I was intrigued by Sallyanne Monti’s reading from her memoir, Light at the End of the Tunnel, detailing a friendship with another woman that began with an email sent to the wrong address that evolved, against all odds, into a lasting romance. That book ended up coming home with me! After the authors read their excerpts, which had a good mix of humor and vulnerability, they answered questions and spoke about their writing processes. “It has to be real,” said one of them, noting that her writing is deeply grounded in personal experience. Another added that “people might like to think lesbians just sit there and pet each other like kittens, but that’s not the truth!” In response to a question about writing sex scenes, one author noted that it’s helpful to write them in the bath (writers, take note!), while others use these scenes to reflect their characters’ inner lives and move the plot forward.     

The biggest event was a moderated conversation between Dorothy Allison and Jewelle Gomez, billed as “Advocating in Turbulent Times” and held on the main stage to a crowded audience. The two authors spoke warmly and engagingly about their past, future, writing projects, and long-lasting friendship. Dorothy came across as a firebrand with a big heart, while Jewelle, whose Gilda Stories hold a special place in my heart and who I partly went on the cruise to see, came across as gentle and kind. There’s a lot of recent debate about the extent to which writers should be accurate and sensitive when writing about marginalized demographics and groups to which they do not belong. Jewelle, calling herself a “bean counter,” noted the need to think of the many different people who might read her books and to be mindful of writing something with inadvertent negative implications for a certain type of reader, citing an example when a young man at a college reading interpreted Gilda as “hating men,” which was not her intent. Thinking this way about your work, Jewelle posited, is a matter of kindness. Dorothy mentioned that the youngest generation of queer people has less community than her generation (which was “always in meetings”), and emphasized the importance of real-world connection – reading blogs, the authors noted, is no substitute for bonding with other people or engaging with good books. Following the reading, I was honored to join other cruise attendees in meeting both authors.  

I left the cruise’s literary adventures at sea with renewed faith in the power of imagination and story. It was wonderful to see so many queer women writers thriving, finding an audience, and connecting with each other through their words! Would I recommend a literary cruise to fellow writers? If you don’t get too seasick, go for it!


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Celebrating My Wins of 2018

Some of my publications in 2018

It’s hard to believe that 2018 is almost over. Hopefully the year has had bright spots for you as it has for me. Following the publication of The Modern Enneagram in 2017, this has been a fruitful year of career building in writing and editing. I’m celebrating these wins as we honor the year that’s coming to a close and move towards the next.

Freelance editing

When I moved to Edinburgh from San Francisco in May 2017, I left my long-held part-time job as a writing tutor/instructor at an art college and moved into full-time self-employment. Initially, I offered writing coaching and set up an Enneagram workshop as well as seeking out editing projects. Beginning in 2018, my money-making direction clarified itself. While continuing to copy edit nonfiction, I had opportunities for developmental editing on fiction projects and began working with a new publisher on manuscript evaluations. It’s been richly rewarding to dive into story structure, hone my constructively critical eye, and give input in a way that’s appreciated.     

Anthology (and other) publications

While in Edinburgh, I participated in two lovely local writers’ groups and continued submitting my work. In addition to having articles and short pieces published, my work was accepted for four anthologies! It’s been exciting to have them arrive in the mail throughout the year and to discover gems from writers I wasn’t previously familiar with.

Here’s a round-up of my publications this year:

–Hashtag Queer, Vol. 2 Anthology: Mira (short story)

–Queer Around the World Anthology: Four Walks in Montreal (creative nonfiction)

–Spoon Knife 3: Incursions Anthology: The New World (science fiction short story)

-Shut Up and Write Anthology: How a Volunteer Grandma Helped Me Find My Voice (personal essay)

-Page and Spine: Quicksilver (short story)

-Write Naked: What One Freelancer Did With a Month Off (guest post)

-School of Shine: Setting Intentions for the New Year; What I Left Behind; Land, Love, and My People (personal essays)

-ELearning Industry: 6 eLearning Trends to Watch for in 2018 (research article)

 

A few of my pieces were also chosen to be reprinted:

–The Quilliad: Beast (poem)

-IEA Nine Points: Thoughts on the 2018 IEA Conference and Community (originally a blog post)

-Go Conscious: How Each Enneagram Type Can Build Healthy Habits (originally a blog post coauthored with Kacie Berghoef)

 

Enneagram conference presentations

While words are the most natural source of steady work for me, I love the depth and impact of the Enneagram. In 2018 I traveled to Amsterdam to give the mini-workshop, “Writing Your Enneagram Journey,” that participants enjoyed at summer 2017’s IEA Global Conference. I was also approached by my friend Chloe Keric-Eli, a Montreal Enneagram teacher, to submit a joint proposal for 2018’s IEA. As immigrants between multiple countries and cultures, our shared experiences led to the idea of presenting on “Where Culture Meets Type.” Participants at both conferences dove fully into the exercises, bringing insights about their personal and cultural stories that were illuminating for many in the room.      

A day job (and a move!)

Freelancing as an editor as my primary occupation provided wonderful opportunities to gain new skills, but it also highlighted additional things I wanted to learn. I realized that the most effective way to learn many of these would be to find an in-house role. Further, I hadn’t moved all the way to the UK to sit in my flat during working hours rather than engaging fully with the culture. Working with my primarily North American client base just wasn’t quite the same. I applied to day jobs in the editing field and was offered one in London working for RUSI, London’s venerable defence and security think tank. I moved in July, leaving a beautiful work-from-home space and gaining colleagues, increased confidence in my work, and skills ranging from project management methods to document design. When I’m not at my day job, I continue to work as a freelance editor on select projects. I’ve gotten quicker with my work, and more assured in making editorial choices. I’m committed and growing. I look forward to seeing where this career path takes me.

A novel draft completed

I have manuscripts sitting in my Dropbox folders that never made it to the book deal stage, and know from experience that finishing the first draft of a novel is a different beast from finalizing it and from hitting a chord that resonates with the reading public. I am, however, proud of the draft I completed this year. It’s a fantasy adventure story – the kind of thing I read for fun; the kind of thing I wrote as a youngster and teenager, and even then neglected to submit anywhere in favor of more “serious” stuff. I’ve been learning in the last few years that being fascinating does not make a thing less real. I put a lot of feelings about immigration and identity into this novel about magic. I got to invent a world with cities in caves and clouds, and I loved spending time there. I got to write “the end.”  

What are your wins this year?


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Thoughts on the 2018 IEA Conference and Community

In July I attended and presented at the International Enneagram Association Global Conference in Cincinnati. I’ve been coming to the IEA conferences on and off for the past ten years, and have noticed a marked change in the last few. The early Enneagram conferences I attended focused heavily on individual growth, experiential practices (such as shamanic journeying and breathwork), and theory. Recently, there has been an increased emphasis on interrelationship and community building, with panels, discussions, and highly interactive talks. The theme for this year’s conference articulated this sentiment explicitly: Building Bridges: Collaborating in Community.  

The keynote address, by local author and consultant Peter Block, stands out as one of my favorite parts of the conference. His talk, “Community: The Structure of Belonging,” reached beyond the spiritual “icebreakers” I’ve experienced at many IEA sessions to facilitate small-group discussions that drew out people’s feelings around participation and reached beyond social niceties to a point of truth. He discussed ways to physically and socially restructure a room so that people are engaged with each other rather than in unquestioned power dynamics, and drew attention to the dangers of like-mindedness: how will we learn and grow if everyone in the room is thinking the same sorts of things?    

My friend Chloé Keric-Eli and I made our own strides toward collaboration beyond our comfort zones. We are each certified with one of the two leading Enneagram schools, The Enneagram Institute in my case and The Narrative Tradition in Chloé’s, and she noted to me last year that these two schools seldom have crossover. Chloé teaches in French while I teach in English, although we each speak both languages. We are both under 40, making us “young” teachers in the Enneagram field, which skews older than most professional realms. (I was pleased to see that the number of younger conference participants is growing; when I first began coming to these conferences, I was one of about four people under 30, and was actually told by one participant that the field was “dying out” because “we’re all fossils”!)

Another factor we had in common was growing up and living in different countries, leading to our presentation topic of “Where Culture Meets Type.” I learned a great deal from working with Chloé, a committed, enthusiastic facilitator whose style differs dramatically from my own. As an Enneagram Type Seven, she generates wide-ranging ideas; in contrast, I could witness and appreciate the critical, structured aspects of my own mind. We both gained valuable insights from our session participants. I was struck by their discussions about how they fit or didn’t fit within the cultures of their countries and families, and how these intersections had affected their lives.   

Another session I found particularly thought-provoking was Jessica Dibb and Deborah Ooten’s “Building Enneagram Communities That Last.” Both facilitators have succeeded at their session’s goal, with Jessica’s Inspiration Community in Baltimore and Deb’s Conscious Living Center in Cincinnati reaching many students and sustaining networks over the years. A cornerstone of this success is the acceptance and non-judgment they modeled from the front of the room. They encouraged facilitators not to “type” anyone for the next 30 days – an invitation toward this non-judgment – and led us in exercises that brought love and support to the forefront and had us reflect on our own challenges and engagement with communities, ending in an action step.

I appreciate that the IEA is thinking about questions of community. The Social Instinct has long been a blind spot in American culture. Contrived events and networking opportunities are created for “socializing” without reshaping the fundamental structures that might address true interpersonal needs, such as creating (or even acknowledging the importance of) social safety nets or genuine support networks. Many of us are isolated, with inner work movements such as the Enneagram often mirroring the individualistic focus we are accustomed to.

The challenge in moving an inner work sphere toward greater community engagement is to ensure it grows beyond the surface, reaching toward inclusivity without leaving other needs behind. In the spirit of Peter Block’s emphasis on asking “uncomfortable questions,” here are a few I am left with  in the wake of the conference. How can future conferences address the needs of all three Enneagram Instincts, providing comfort, stimulation, and interrelatedness in concert? How can the Enneagram reach demographics its teaching structures aren’t traditionally set up to reach, without changing their fundamental wisdom – or is fundamental change called for?

How can the Enneagram community be big enough to hold contradictory views and approaches, and do these contradictions point to a common aim? How can people work constructively with their types within their preexisting relationships, outside of conference or workshop settings? Who gets left out of the Enneagram, and how can this movement ensure that no one needs to be left out – that anyone who wants to participate, no matter how different from other participants, is included and worked with?   

I don’t have the answers. What I do have is a sense that these questions are important ones to grapple with. Perhaps, in searching for their answers, this work will have wider and truer impact.


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Understanding Your Culture’s Impact

Where I come from

This month I start the new adventure of living in London. I’ve been offered an editing job and am looking forward to this next phase of immersion in the culture of the UK. Depending on whether you count England and Scotland as one country or two, this is either my third or fourth country of residence. Even though the countries I’ve lived in have largely spoken the same language, English, the cultural differences have brought new learnings every time.

On July 20, I’ll be presenting with my friend Chloe Keric-Eli on “Where Culture Meets Type” at the IEA Global Conference. We’ve had a lively collaboration, switching between English and French and sharing deep-rooted stories about the impact of our cross-cultural backgrounds on our very different personalities. While similar personality types are found in individuals from country to country, cultures have their own stories that shape acceptable forms of expression for the people who live in them. Moving to another country is jarring for these social reasons just as much as reasons of geography and distance. Suddenly the people around us expect us to follow a script that we’ve never encountered before. The more deeply we become immersed in another culture, the more we are changed, yet the more we come to see the ways our own native cultures have shaped us. Here are some of the insights into the influence of cultural narratives that I’ve discovered, which our presentation will cover in more depth.  

Our culture’s stories tell us who we “should” be.
Growing up in Canada, the narrative of a “good person” revolved around contributing to the community. A “good person” volunteered and helped others. News outlets’ favorite feel-good stories were all about citizens coming together to support each other during tragedies. I learned that support was available, and if I had a goal in mind, I learned that connecting it to the common good in some way was the best way to accomplish it. Upon moving to the US, I encountered a different type of “good person” narrative. Even in the wildly liberal San Francisco, many of the feel-good stories focused on individual accomplishment. “Everyone is in this together” did not pervade life in the same way and individuals were encouraged to go after what they wanted, no matter how big or ambitious. In fact, big and ambitious were often considered “good.” My behavior changed accordingly.  

These same stories tell us who we “shouldn’t” be.
Every value has a shadow side, and for every trait that one culture encourages, sometimes in nurturing and sometimes in unbalanced ways, there is another culture that discourages its expression. Taking as an example the American value of individual achievement, countries like Australia discourage “tall poppies” for standing out too much and acting arrogant. Some of us find our own culture to be a natural fit for our personality, while others discover that the way they tend to express themselves and the way their culture wants them to express themselves differ drastically. Each culture has certain personality types it privileges, while others find themselves at a disadvantage. It can be rough to be a straightforward sort in a diplomatic, indirect culture, or to be an introvert in a milieu that rewards extroversion. If aspects of our temperament conflict with what our culture tells us to be, we may feel there is something wrong with us. 

Our culture frames what’s possible.
In Canada, one airline dominates the vast majority of flights, and they don’t come cheap. The country is sprawling and takes a long time to cross. In the UK, you can fly to multiple countries quickly and inexpensively. Western Europe encompasses a lot of countries packed into a small space, and budget carriers more akin in their service to buses than North American planes “hop” between them. Jobs in the United Kingdom are also mandated to give more time off, during which employees often travel. For these straightforward economic and geographical reasons, it’s common for the Scots and Brits I’ve met to take holidays during their long weekends to destinations such as the beaches of Spain. Just as the culture we live in dictates vacation possibilities, it also influences our language(s), fashion, food, career, and how we see ourselves. Certain ways of living, being, and even dreaming are facilitated by some cultures more than others.

Just like knowing our personality type, understanding our culture is a way of knowing ourselves better. When we learn how many of our default assumptions are culturally defined, we open the door to appreciating and witnessing the unique values and insights of cultures that differ from our own.


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The Myth of the Solitary Writer: How to Build a Support Team

Think of a writer. You’re probably picturing a lone figure with a laptop, right? A big part of being a writer is the writing itself, an activity that’s usually done in solitude by a single individual. However, the work of a writer involves collaboration at multiple levels, even for the most introverted of the bunch (raising my hand here)!

This March I attended the Scottish Association of Writers’ 2018 Conference and witnessed this firsthand. Making connections with other writers offers a peek into just how interconnected we who work on a blank page or screen are with myriad others, seen and unseen.  

Books (and blogs and articles and poems…) don’t exist in isolation. They are influenced by years of reading habits and inspirations. Think about anything you’ve written and you may be able to trace ideas back to things you’ve read or seen, or identify texts that have influenced your style. Reading is what gets most of us interested in writing in the first place, which means that writers inspire other writers.

Look in the acknowledgments section of a book and you’ll find a list of names who have helped the author more directly. Critique groups and individual readers have often given valuable input into what works and what doesn’t. Editors have polished the manuscript to its full potential, and publishers have brought it into the world. Friends and family have offered support through the process of writing and publishing.

It can be motivating to hear others’ perspectives on our writing, and also a good reality check. Critique partners and beta readers approach your manuscript with fresh eyes and can give a first-hand opinion on which aspects appeal to readers and where your manuscript might be strengthened with changes. It’s most helpful to find early readers who enjoy your genre and style, as they’ll want to read the best version of whatever it is you are working on, rather than turning it into something else. They can also let you know if the words on the page convey the things you intend in your head. Once a book is published, the words are out there and people will interpret them in ways you may not have intended. Early readers can point out gaps in understanding and help you clarify your meaning.

If you’re looking to build a support team for your own writing, here are some places to look:

  • Get to know other writers. They’re working towards the same goals as you, and can offer understanding and support.  
  • Seek out critique groups and beta readers to get input on your work. You can find these in person or online.
  • Find books and learning resources that will keep you up to date on the area in which you’re writing.
  • If you’re looking to traditionally publish, reach out to agents and publishers when your manuscript is ready. Publication involves a whole team working to bring your book into readers’ hands.
  • If you’re looking to self-publish, you’ll be assembling that team yourself. Find an editor to help with structure and flow and a proofreader to check for final errors. Unless you’re an artist, you’ll likely want a cover designer as well.
  • Get to know readers! This can be one of the most rewarding aspects of being published: seeing the impact of your (yes, often solitary) work on others.

There are lots of other forms of collaboration that can be helpful for writers. I’ve touched on just a few here. Do you have a favorite?


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Five Enneagram Audio and Video Resources We Love

Co-written with Kacie Berghoef

Last month, we shared some wonderful Enneagram books from the Resources section in The Modern Enneagram. This month, we’d like to spotlight audio and video resources that bring something unique to the Enneagram conversation. Recent forms of online learning have been huge assets for bringing new perspectives on the Enneagram to the comfort of your own home, and the wealth of resources that you can listen to or watch add an immersive dimension that you can’t get from book learning.

We had a lot of fun creating our own Problem Solving Through Personality audio recordings, as a quick and accessible way of teaching about the Enneagram at work, and speaking about communication styles and the autism spectrum on AASCEND TV. We aren’t the only ones who’ve made use of the strengths of audiovisual learning. These modalities lend themselves beautifully to interviews, personal examples, and auditory or kinesthetic methods of transformation. From an at-home conference experience to a “video panel” of the masters to audio downloads that will put you to sleep (in a good way: take note, insomniacs!), here are five audiovisual resources that we’ve found both enjoyable and groundbreaking.

  1. The Enneagram Global Summit

First up, we highly recommend the biggest audio event in the Enneagram world. If you’ve ever been to an Enneagram conference, you know how exciting it is to be surrounded by leaders in the field, immersed in the exchange of new ideas. The Enneagram Global Summit brings this dynamic experience to anyone who wants to listen in. Starting in 2015, the Summits have featured such experienced and cutting-edge voices as Dr. Claudio Naranjo, Russ Hudson, Helen Palmer, Dr. Dan Siegel, Cheryl Richardson, the Enneagram Prison Project, and many more! The 2017 Enneagram Global Summit, from June 5-9, will feature over 40 speakers with incredible insights to share. You can sign up here to listen, or to order the recording after the event has taken place.

  1. Tom Condon’s Changeworks Resources    

Many Enneagram practitioners teach primarily through speaking or panels. Tom Condon’s approach is unique in integrating NLP and Ericksonian hypnosis. Trained in the use of auditory modalities to interrupt our usual patterns and facilitate change, Tom brings powerful auditory tools to anyone who wants to work on themselves. You can learn from his Dynamic Enneagram videos and recordings on the nine types, or download recordings to boost your confidence, reduce your stress, help you sleep, deepen creativity, and more. Access The Changeworks’ wealth of resources here.

  1. Enneagram HQ Video Resource Library

There are a lot of Enneagram videos out there where people talk about what it’s like to be different personality types, each with their own insights to offer. Enneagram HQ’s Video Resource Library stands out among the offerings for its videos of prominent Enneagram teachers, each of a different type, sharing self-knowledge gained from years of studying the system. They offer in-depth insights into each type’s internal dynamics, challenges, instincts, and growth. It’s wonderful resource to learn from and share. You can access the videos here.    

  1. Tapping for Your Type

Here’s another tool for change, customized to your personality. Psychotherapist and coach Rachel Alexandria’s video series uses EFT, or tapping, to free you from your usual blocks and create the change you want in your life. She guides you in using your fingers to tap on physical pressure points, while repeating statements that anchor constructive self-talk in your body. If you’re an Eight, say, and want to work on issues with food and eating, Rachel has a process video especially for that. If you’re a Two seeking to improve your work life, there’s a video for you, too. The comprehension and customized focus of each Enneagram type’s set of videos allows you to work on the most relevant areas of your life at your own pace, coming back to them as desired. Check out Tapping for Your Type here.     

  1. Wild Crazy Meaningful Enneagram Podcast

Pace and Kyeli offer a fun, interactive take on the Enneagram in this weekly podcast. Each episode features a different speaker or topic, which Pace introduces through one of her signature haikus. The podcast follows a conversational style, with the hosts teaching about various Enneagram-related topics or holding insightful exchanges with others. In addition to discussions of type psychology, books, and more, it boasts an impressive array of interviewees. Past episodes have featured authors, scientists, coaches, and panels of type exemplars or experts. A new episode goes live every Wednesday. Melanie had a wonderful time talking about modernizing the Enneagram with Pace and Kyeli this February. You can check out their fun, accessible way of learning about the Enneagram here.


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Finding Wisdom in Your Enneagram Type

Inspiration Village at Wisdom 2.0

Co-written with Kacie Berghoef

This past weekend, Kacie volunteered at the Wisdom 2.0 Conference in San Francisco. In an era where mindfulness practices are increasingly utilized in the business and tech world, Wisdom 2.0 provides a platform for like-minded people to connect and strategize around bringing empowered conscientiousness into the workplace. This weekend offered an opportunity to share insights and witness the wisdom we all have to contribute.

We see the Enneagram as a powerful tool to bring greater wisdom into the world – whether it’s in businesses, communities, or ourselves. What the Enneagram shows us is that there are many types of understanding and insight one can have – nine, to be specific! Our own wisdom helps us take action in ways that strengthen our communities, make our workplaces more productive, and deepen our bonds with others. We have the greatest access to the wisdom our type brings to the world, but as multifaceted human beings, we can access the brilliance of all nine types.

Here are a few kinds of wisdom that each Enneagram type has to offer:

Type One brings wisdom through integrity. Healthy Ones are fair and bring justice to the world around them. They become examples of walking your talk. They teach all of us to live honest lives.

Type Two brings wisdom through compassion. Healthy Twos are caring and bring unconditional love for self and others. They become examples of lovingly meeting others’ needs. They teach us how to care for ourselves.

Type Three brings wisdom through authenticity. Healthy Threes are accomplished and bring value to the world around them. They become examples of being your best self. They teach us how to take pride in who we are.

Type Four brings wisdom through self-awareness. Healthy Fours are sensitive and bring creativity to the world. They become examples of expressing your personal truth. They teach us how to cultivate our own voice.

Type Five brings wisdom through understanding. Healthy Fives are non-judgmental and full of open-minded curiosity. They become examples of finding innovative answers. They teach us how to be still in a busy world.

Type Six brings wisdom through guidance. Healthy Sixes are grounded and oriented to a sense of purpose. They become examples of knowing just how to provide support. They teach us how to be our own best advocates.

Type Seven brings wisdom through freedom. Healthy Sevens see limitless options and engage fully in life. They become examples of bringing joy to all facets of life. They teach us how to see the best in everything.

Type Eight brings wisdom through confidence. Healthy Eights are protective and empower others around them. They become examples of living fully without apology. They teach us how to find our internal strength.

Type Nine brings wisdom through acceptance. Healthy Nines are receptive and fully self-possessed. They become examples of living harmoniously. They teach us how to live in a way that is connected to the world around us.

What kind of wisdom do you bring? What’s one action you can take this week to use this wisdom to improve the world around you?