Melanie Bell

Author, Writer, Editor


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New Year, New Attempts at Hard Things

Image: MSGT Jon Nicolussi, U.S. Air Force, 2003.

Goal setting is a topic that’s attracted a long-time blend of fascination and skepticism from me. I often set and try to achieve goals. Sometimes they go well. Other times, the results… well, they make good stories!

Anecdotally, I’ve seen that achieving things is usually a process, and successes tend to have invisible trails of “failures” behind them. I’ve had feedback that others have liked my blogs about the process of trying new things and the stumbling blocks I’ve encountered along the way. So, here are a couple of things I’ve been trying and stumbling over this year.

Personal Training

In November, I began working with a personal trainer. I’ve maintained an exercise habit for years, as it clearly helps with my physical and mental health, but this is the first time I’ve sought personalized guidance. I wanted to have an exercise plan that I could do at home, which would help me build skill and strength from where I was. I felt like I’d only gotten so far with the “DIY” approach. And, as a former chosen-last-in-gym kid, I lacked physical confidence.   

My trainer, Kat Saunders, created a feeling of psychological safety. She was encouraging and nonjudgmental. Also, our initial assessment showed I had reasonable strength in most areas, contrary to my low expectations, though I had some things to work on. That was a relief, affirming that my years of imperfect yet regular exercise had a tangible effect.

I had a shaky, anxious start. I committed longer than the single month I’d intended, then freaked out at one point, thinking I wasn’t seeing the changes I’d hoped for, and it was all useless. But I needed to give things a little more time and to have an external assessor (Kat, in this case) show me changes I couldn’t see myself.

After two months, my trainer assessed me again. My body is more balanced, and my posture has visibly improved. I saw an 18% increase in the weight I could lift. These changes in physicality have improved my confidence, and I’ve found more ease when attempting new physical activities. I’ve committed to a group of monthly training sessions following my two months of weekly ones. I look forward to seeing how they go.

Treats for Trying

Effort and results don’t always match. I’m sure most of us have experiences of trying hard and getting nowhere, and other times when, for example, we quickly paint a blob on canvas and hear, “That’s such a good painting!”

I’ve set myself writing goals and a schedule this year. It requires effort and patience. It’s not always fun, and there’s no guarantee of “success” in terms of external markers. But, of course, there’s no chance of these “successes” happening without putting in that time and effort.

I find it hard to feel proud of myself for trying: “What if all I’m doing is wasting time?” So, I’m recognizing my efforts with rewards.

It started as a joke. Duolingo was spamming me with emails about learning a new language in the new year. I’ve been practicing Spanish in other ways since taking a course last year, but I told myself, “I’ve been working hard on my writing goals. I can have a little Duolingo, as a treat!”

Why does language learning feel like a “treat”? Because it’s easy! (Well, languages may not be, but the gamified Duolingo format is.) Because it’s a regular way to recognize my regular efforts at the harder things. And because it’s not tied to a specific goal or outcome. It’s nice to hear exaggerated praise from that little green owl, and if it stops feeling rewarding, I’ll do something else. 

I’ve thought long and hard about what feels like a reward to me. I can say something is a reward, but it doesn’t work unless it feels like one. Ease and frivolity make things feel rewarding. If I need it (like food, clothes, rest, or socialization, no matter how fancy their forms), it doesn’t feel like a treat.

I’ve started a list of things that do feel treat-like. I’m “treating myself” regularly to recognize my regular efforts. I bought a cookbook after finishing a project. Did I need it? No. But I allowed myself to get that thing I wanted.

I’m rewarding my impatient self for cultivating patience. And I’m rewarding myself with things that aren’t tied to goals, so they feel transgressively luxurious, but positive. So far, it’s been a motivating strategy, so I plan to continue with it, keeping an adaptive mindset and seeing how it goes.


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Looking Back on 2021 (and a Pre-Order Link for My Book)

You can pre-order my short story collection, Dream Signs, here.

These past two years have not been easy, have they? Thank you, COVID-19. Despite all that, I’ve been lucky to get through it all and try some new, interesting things.

PRE-ORDER TIME! (And Other Publication News)

My short story collection, Dream Signs, has faced publication delays but is now in its final stages before being launched. I’ll post an update as soon as I have a final date. AND you can pre-order it here now! 🙂 Isn’t the cover gorgeous?! I also have a YA novel, Chasing Harmony, coming out in Summer 2022. Again, I’ll update as more info is released by the publisher. It’s about classical music, messy families, and high expectations, and I love the cover for that one too. 

My dark fantasy novella “The Cliffman” came out this year as part of the horror collection Hard for Hope to Flourish. (It’s really a novelette, but the publisher’s calling it a novella; I, on the other hand, had thought it was a really long short story.) My short story “A Limit to Growth” was published in The Fiddlehead after 10 or so years of rejections. I have author interviews online for Hard for Hope to Flourish and The Fiddlehead, along with a write-up for The Fiddlehead where I recommend a book. It’s interesting to note that both of these pieces were initially part of the same story, featuring a fun-loving younger sister and an older sister who loved math (thanks to Meg Murry for the character inspiration), before diverging wildly (and I mean wildly – modern fairytale vs. realistic take on cybersex chat rooms).   

Personal Milestones

With lockdowns easing, I’ve gotten out and tried new things when I’ve been able to. I learned to paddle a kayak with a weekly meetup group. (I also learned I’ll probably never be a champion kayaker!) I continued, to a lesser extent, the running habits I’d established during lockdowns when we were all allowed to leave our house once daily for exercise. This autumn, I tried my first Parkrun, a weekend 5K event, and found it surprisingly fun. I also started taking horseback riding lessons.

In October, I spent a week in the Scottish Highlands on a working holiday at a horse farm. I loved the Highland Ponies, and it was great to spend time in Scotland again. With travel restrictions in place, I’ve definitely seen more of the UK during this pandemic than before. I spent two weeks this summer on a workaway at an estate in rural Wales, something I probably would never have done otherwise and am glad I did.    

This was a year I kept a certain balance, maintaining schedules and habits without necessarily planning to do so, and it surprised me. Who is this person who exercises regularly, gets plenty of sleep, and cooks and eats healthy meals? Recent actions and living through a pandemic have shown me the value in routine.

On the artistic front, I started volunteering at a local theatre and took a songwriting class, both of which were lots of fun and have opened up new ways of thinking creatively. I’ve been writing and experimenting with different formats for stage, song, and storytelling.      

I’m wrapping up just-over-2-years as Development Editor for ICE Publishing and starting a new job in 2022, one where writing is part of the professional focus. I’m particularly proud of the monthly author blog I created, with advice for prospective authors on the nuts and bolts as well as the psychological journey of writing a book, which will soon be published as a manual. I look forward to seeing what my next career step brings.  

Here are a few things that brought me joy in 2021: baby peacocks, amiable chubby horses, making up and recording bits of songs on my phone, finally getting my COVID ‘jabs’, many good books, and a free cactus. What brought you happiness during this generally rough year? What milestones are you proud of?


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Support Emerging Writers (and Me) in the Clarion West Write-a-Thon

How is July going for you? Mine is quite busy. Things are opening up more locally and my book projects are moving forward. My short story collection Dream Signs now has a release date – September 16th! I can’t wait to see it as a real book out in the world. One of the stories in the book, “A Limit to Growth,” is included in The Fiddlehead’s Summer Fiction issue (available for order here). It’s about math, art, and a jaded fortysomething woman who goes on a cybersex chat site.

I’m participating in Clarion West’s Write-a-Thon this month. If you aren’t familiar with the name, Clarion West is a speculative fiction writer’s organization that runs a six-week yearly workshop and offers other forms of writing education and support. Their mandate is to “support emerging and underrepresented voices by providing writers with world-class instruction to empower their creations of wild and amazing worlds.” I attended some of their online offerings during lockdown and enjoyed them very much. Several of my favorite writers teach there, have studied there, or both. In short, they’re doing fantastic work. 

The Write-a-Thon is two things: an inspiring community for writers and a fundraiser for Clarion West. Anyone can sign up to participate and get access to talks from writers, a Slack channel to chat about your craft, and more. The Write-a-Thon runs until the end of July and you can sign up here to participate

My goals for the Write-a-Thon this month are to write two new pieces, send out three submissions, and set up two events for the launch of Dream Signs this fall. If you’d like to support Clarion West’s work with emerging writers, or cheer on my writing goals by tossing a coin to your Witcher, you can do so on my Write-a-Thon profile here: Sponsor a writer

And if you’d like a sneak peek at my story “A Limit to Growth”, read on:

When I was ten, I resolved to marry the first man who didn’t laugh at me for carrying math books around the beach. I’d explain to him about factors, how beautiful it is to look inside a larger number and see what groupings make it up, what small parts combined to make it breathe. I’d tell him there are patterns everywhere—in tree branches, in sand dunes, in the veins of our bodies—and math is one way to access their secrets. The power of numbers could course through us with the rhythm of the incoming sea, and we would know infinity. Until then, I’d keep this love to myself, nestled close like a tiny animal.        

It’s been three decades now, and the math outlasts the men every time. After Alan, John and Dan, I gave up on love and tried the sleeping-around thing. I’ve watched man after man melt to sweat in the evening, and my memories of them are ephemeral. There are only so many you can wake up beside without confusing their names, only so many off-centre attempts at pleasuring you can endure with a straight face, only so many times you can consent to faking it and only so many times you can be accused of faking it when you absolutely aren’t and only so many times you can tolerate a stranger calling you Sweetie before you’re looking more forward to a cup of mulled cider at your place than another encounter.


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My First NaNoWriMo, or How I Wrote a Novella in a Month

I’ve posted before about NaNoWriMo, but until 2020, it was one of those things I’d thought about but never attempted. I was usually busy, and more crucially, I’ve never been fast. I’ve completed novel manuscripts, but writing 50,000 words in a month seemed like a daunting task. I was happy to cheer on other, more ambitious writers from the sidelines. 

This year I spent November in lockdown. It seemed like the perfect time to give the challenge a go. I had a few opening chapters of a novella lurking in my folders, waiting for me to finish it, and I decided that NaNoWriMo would be my motivation to do that. I wasn’t sure if I’d write the full word count, but I saw other writers blogging and posting on social media about the progress they made from participating, whether or not they met that tally mark. Some used it to revise or meet other goals, like I intended to do. The tent seemed expansive and friendly.

This manuscript is the first time I’ve tried to write romance as a central focus. It’s also the first time I’ve attempted a novella, although I’ve thought at points that it might turn into a novel. It started out with two points of view, but feedback from a reader suggested that one was far more interesting than the other, so I rewrote the first part to focus on that character. I scrapped my outline and wrote by the seat of my pants, coming up with some of my ideas on long morning runs. It turned out that letting my mind wander while exercising was a great way to find inspiration.

What worked for me? Not, it turned out, joining online communities or engaging with the many passionate writers posting in great detail on forums and chat rooms. It’s wonderful to see so many passionate people creating, and I’d expected to find it motivating, but instead it gave way to something like Zoom fatigue. I joined a few groups and quickly became overwhelmed. Instead, I focused on the story I was telling. Maybe I’d socialize about it later, when it was done.

Complicating things, I had some serendipitous work projects come up for the month, so my time wasn’t as open as I’d expected. My writing stopped and started around other commitments that I didn’t want to forego. What helped throughout all that was writing regularly, in little bits almost every day. I felt closer to my characters’ lives. It was a challenge to write a new kind of story in a new genre, but word by word, it came together. 

I allowed my usual writing process to take the forefront, editing as I go. That’s usually seen as a “no-no” for writers during speed events like this one, but when I tried to draft with more of a stream of consciousness, I missed letting my editorial mind improve things. I’m an editor by trade, and it turns out that I value letting that skill set shape my work. It makes the next draft smoother.

The last day was a milestone. I’d set a 25,000-word novella mark by that point and wasn’t sure if I’d achieve that word count or finish the draft. Animated by the frenzy of a student with a due date, I wrote into the evening. The story wanted to tell itself. It knew where it was going. Soon, I reached the end.

It helped to have a deadline. 

I’m delighted to have given NaNoWriMo a try and met my personal goal. It was a great experience, and one I hope to repeat. NaNoWriMo writers out there, how did things go for you?


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The Bestseller Experiment: Can You Write a Bestselling Book in a Year?

For two years, I’ve wanted to go to London Book Fair. This year I was finally going to get there, accompanying colleagues to look after ICE Publishing’s stand, network, and learn. Then, as you can probably guess, the fair was cancelled due to the coronavirus. The sound reason did not dim my disappointment. Despite the cancellation, though, I got one good thing out of the London Book Fair: acquaintance with the Bestseller Experiment

When reading through the list of Insights Seminars planned for the fair, I saw that there was a live episode planned for the Bestseller Experiment podcast. The name intrigued me. A bestseller is a big promise. What could a “bestseller experiment” be and how did it work? I looked the podcast up and discovered it was created by two British men, both named Mark, who sought to write, edit, publish, and market a bestselling book in a year. What an awesomely audacious goal! I began listening, and soon I was hooked. 

The pair of podcasters make appealing foils for each other. Mark Stay is a seasoned writer, with a novel and movie to his name, and a veteran employee of the traditional publishing industry. With the benefits and cynicism of experience, he acts as the podcast’s pessimist, skeptical of the likelihood of success but game to go forward. Mark Desvaux, a Canada-based life coach who’d started books prior to the podcast but hadn’t finished them, is the pair’s optimist, bringing enthusiastic belief in their success and a sense of spirituality to offset his co-host’s national outlook. It’s fun to listen to the two Marks bouncing off each other. What really makes the podcast shine, though, is the caliber of its interviews. 

From the get-go, Mark and Mark interview industry professionals and bestselling authors of both traditional and indie titles. They set out to find the “secret sauce” that makes a book or an author into a bestseller, speaking to the likes of Bryan Cranston, Joanne Harris, Joe Abercrombie, Michelle Paver, Shannon Mayer, and professionals from NaNoWriMo, Kindle Direct Publishing, authors, agents, editors, and more. All the interviewees speak lucidly and eloquently about their craft and share a wealth of knowledge about the industry. Their writing journeys differ, from those who have worked in obscurity for years before having a sales or publishing “breakthrough” to early success stories, from those who hate revision to those who love it, but all share a belief in writing success because they have all experienced it. Every episode I’ve listened to so far has been worth the time, and all have left me with a feeling of hope.  

What bestselling secrets has the podcast shared? So far, the interviewed authors share a belief in taking yourself seriously as a writer (most of them write every day and set themselves word counts), having deadlines (I share their experience of writing faster when somebody gives me a due date), and writing about topics that matter to you. Again and again, the authors reiterate that you can’t write a bestseller cynically, and that good books come out of love of the subject you’re writing about. Many of them recommend go-to books on the craft of writing, and some share marketing tips. Editors and agents encourage writers not to worry about trends and to write what they’re interested in. The need for self-care when writing is also explored.  

The Marks also share the stages of their journey in writing a book. In one of my favorite episodes, Ben Aaronovitch tells them off for writing a 50,000-word “outline”! I also enjoyed listening to the Marks discuss an editor’s critique of their manuscript. Since they wrote about a female protagonist, the editor suggested using a female pseudonym, and I’m pleased to note that they succeeded without one (though Mark Desvaux used the shorter pen name ‘Mark Oliver’). It’s no spoiler to note that the Marks indeed wrote and self-published a Kindle bestselling novel in a year. Back to Reality is a fast-paced story about time-travel, body swapping and the lives one could have lived. Its success doesn’t surprise me given the excellence of the Marks’ podcasting platform, but it does make me smile. They did it! And the podcast is still going and growing, with many of their listeners publishing books including more bestsellers. If you’ve ever dreamed of writing a bestseller, you might enjoy listening to it, too. Thank you, London Book Fair!   


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Following The Artist’s Way Again, Over 10 Years Later

Five pelicans groom themselves in St. James’ Park, London, during one of my Artist Dates.

During the first year of my undergraduate studies, I encountered a book called The Artist’s Way. A classmate who’d completed a visual arts program told me about the volume and how his class had used it at art school. Julia Cameron’s book has sold over 3 million copies and inspired countless artists, but this was my first encounter with it. I was intrigued by my friend’s stories of how the book inspired an outpouring of productivity and gave him the courage to use masses of high-quality paint rather than being stingy. I wanted to check this book out myself.

I found a copy of The Artist’s Way in a used bookstore. One of my classes at the time involved a project in which we all found something we’d always wanted to do and did it. I’d always wanted to paint, and I used this book as inspiration. I started writing Morning Pages, following Cameron’s practice of writing three pages longhand every morning in which you vent, brainstorm, and babble. I went on Artist Dates, inspiring solo outings, though I no longer remember where I went. 

I did Cameron’s exercises, listing activities I’d always wanted to do and “secret selves” who reflected aspects of my personality that I didn’t typically express. To be candid, I only made my way partway through the book, but by the end of the year, I had in fact learned to paint. I hung some of my pieces in my dorm room, and painting entered the repertoire of arts I practiced and believed myself capable of doing. I also tried out other art forms, writing a good song and a not-as-good-but-still-finished musical. The Artist’s Way, even imperfectly followed, was a wellspring of inspiration. Once the year ended, inspired and enlivened, I moved on.

Near the end of 2019, over a decade later, an intriguing call for submissions got me writing a fantasy short story on the commute to and from my editing job. I got started but alternated between chipping away at the story and sitting there with a muddled, unproductive brain. I wanted to keep up my momentum, to keep writing, so I found myself picking up a tool I hadn’t used in years: the Morning Pages. 

On mornings when my brain wasn’t up to the task, I used my time on the London tube to ramble in my notebook about what was happening in my life. From there, spurred on by seeing a friend posting about The Artist’s Way on social media, I began to follow the book in earnest. My story coaxed me into taking a second walk down the Artist’s Way. 

A lot has changed since my first half-finished use of Cameron’s tools. I’ve moved from the creatively nurturing nest that my university provided for me to the daily routine of a full-time job, moving in a circuitous path that’s included freelancing, multiple careers, and entrepreneurship. I’ve lived in three different countries. I’ve published a successful book and dozens of short pieces. Having come from a place of early success, I’ve also become very familiar with failure. I’ve been prolific at times, blocked at times, and overly reticent with submissions. The drive of creative inspiration has at many points given way to the need to get things done. 

This need has given me a new perspective on The Artist’s Way. I’m discovering that it is, in fact, an ingenious organizational tool. The Morning Pages remind me of forgotten items to check off my to-do list and help me organize my creative projects. Sometimes bits of writing emerge from the pages, but more often than not they resemble vacuuming – getting the mind clean and ready for work. The Artist Dates have taken me on walks around the neighborhood where I work, enjoying the splendors of Buckingham Palace and St. James’ Park, becoming familiar with the birds and flowers there. For some, Artist Dates bring a welcome sense of adventure. For me, they’ve brought a deeper connection and grounding in my surroundings.  

The first time I tried The Artist’s Way, I was much closer to being that “artist child” that Cameron wants her readers to reconnect with inside themselves. I was less familiar with the challenges of the marketplace and had largely received encouragement in my writing and creative pursuits. I’d experienced the sting of some failures, but not on the scale that adulthood would bring. With this context, the encouragement offered by The Artist’s Way has been much more powerful the second time around. 

Engaging with the book’s exercises has not been easy. They’ve opened old wounds and questions about my future. However, the changes have been profound. I’d expected to discover an exotic array of new interests or begin engaging with new art forms the way I did last time. Instead, my inner voice piped up loud and clear that I want to write and need to fight for that desire. 

I was reminded of being eight years old and imagining that I would someday write all the things I read – mystery novels, advertisements, nature magazines, newspapers, everything! I remembered submissions that got lost and wondered why I hadn’t followed up. I became determined to follow that voice urging me to write all kinds of things, write what’s fun, and not put limits on myself. It’s okay that I want to be focused right now, that I don’t want to crochet or make a podcast. It’s okay that I’m scared to fail over and over. I’m determined to listen to my inner voice and honor that eight-year-old’s dreams. 

So, what’s changed in my life since beginning my second journey with The Artist’s Way? I’ve written a short story and several poems, begun a novella in a new genre, finished revising a manuscript and submitting it to my first round of agents, and embarked upon a “100 submissions a year” challenge. (I’m going for submissions rather than rejections because it’s a concrete goal within my control. One of these has already turned into an acceptance, and I’m certainly not sulking about it!) 

I’ve taken the initiative to create a blog for authors at my job. I’ve come up with several ideas for potential writing projects. I’ve started learning about linguistics and spent a morning picking up a few phrases in Swahili. I’ve gotten back in touch with some old friends, reached out to my great-aunt about family recipes, and grown very familiar with the pelicans of St. James’ Park. Fear, realism, and cynicism tango with hope and the excitement of infinite possibilities. Here I stand, in the middle of the Artist’s Way, and this time I’m determined to make it to the end.

Have you tried The Artist’s Way? What was your experience like?


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2019 in Review

It’s nice, at the end of the year, to look back on the last 12 months and celebrate accomplishments big and small. Time passes so quickly that it’s easy to wonder where the year went. Taking time to reflect on the last year helps to remember and appreciate that the time went to good use. Here are my highlights from 2019. What are yours?  

2019 publications round-up 

This was a big poetry year for me.

Hashtag Queer: LGBTQ+ Creative Anthology, Volume 3 published my sequence of “Tacit poems”. Qommunicate Publishing has been a great supporter of my work, including the more experimental pieces. 

Haiku Journal published my rain haiku in issue 63. (You can read individual issues of the journal online here, and there is a lovely print version as well.)

Lift Every Voice is a lovely new anthology that published my poem “You, the shadow you cast”.

My personal essay “Learning to Paint” was also published by Heart and Humanity in February.

I have three more publications forthcoming as well. Among them, Qommunicate’s Geek Out! II anthology will be publishing my poem/script hybrid geeking out about performance and semiotics, and House of Zolo’s first journal of speculative literature will include one of my poems when it’s released in January.

New job

I had a wonderful time working at RUSI, but moved on at the end of the year to the role of Development Editor at ICE Publishing. I’m excited to be working on books and taking a bigger-picture position.  

Enneagram corporate training

Last spring, I was invited to my old city, Edinburgh, to do an Enneagram-based corporate training for Turnitin. This company makes a program I used in my old university teaching job! The leadership team purchased copies of my book, The Modern Enneagram, for all the attendees. They were a delightful, engaged group, and it was fun to spend time in Edinburgh again (despite the rainy weather). It was my first time leading a corporate training where I traveled out of town.

Work-life balance

With a new job and new financial opportunities, I’ve been able to say no to work that hasn’t been a good fit. I’ve moved into a new flat that’s nicer than my previous one. I’ve taken some time to travel and am appreciating the value that’s placed on holidays in the UK. I’m grateful to see improvements in work-life balance after a 2018 that involved a lot of “hustling”.

What was your 2019 like? What big and small things do you appreciate about the past year?


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New Year, New You? Think Baby Steps.

It’s that time again: time for New Year’s resolutions. January rolls around and you make plans for the year ahead. You envision your best self and create resolutions hoping to make that person real. Sometimes your goals pan out. If you’re anything like me, though, all too often the following year arrives and the idealized self remains a distant dream, with resolutions left behind somewhere along the way. Many of my editing and coaching clients share my experience – a fairly common one – of having big dreams but struggling with practical goal-setting.

For a couple years, I made resolutions to do things I was already in the habit of doing, as I was confident that these goals would be fulfilled. Indeed they were, but while these easily achievable resolutions showed that I could continue on a positive course of action, they also added nothing new to my life. Later, I tried setting short intentions, choosing an overarching word or phrase, such as “making money,” to guide my year, and I set goals that were concrete but out of my comfort zone. These measures helped. But as 2019 brings in a new crop of enthusiastic articles about changing your life with the shifting of the calendar year, I think a change in philosophy is called for as well. Below are some measures that have helped in my own goal-setting and in my work with clients.

Think big if you want – as a starting point.

Lots of us find it fun to imagine the best version of ourselves. How can we know who we might become if we don’t allow ourselves to dream? Go ahead and make that vision board if you enjoy doing so, or that wild list of things you want to do in the future. Map out all the books you want to write or the countries you want to travel to. Your dreams will serve as fuel for your daily life. As the next steps suggest, though, be mindful that you can’t do everything at once.

Then bring the dream down to earth.

This is where practical goal-setting measures come in. The big dreams we have about our lives may not be realizable all at once, but if we think things through and plan carefully, we can create realistic outcomes that we wish for. Getting in shape, for instance, becomes easier if we don’t just purchase that gym membership but set a schedule, join an exercise class, and/or commit with a friend to exercise together. Writing a novel becomes easier if you set yourself a daily word count and working time. In 2017, Kacie Berghoef and I blogged about setting SMART goals. Try out this method of practical goal-setting by making your resolutions specific, measurable, attainable, realistic, and time-bound.

Hold yourself accountable.

I mentioned setting a schedule and finding a gym buddy. Once you’ve created a goal for yourself that moves in your desired direction and works with the life you have now – something small, not too time-consuming, trackable, and concrete – put measures in place to hold yourself accountable to it. Pencil (or type) commitments into your calendar. Set up a mutual support system with someone else where you check in periodically with each other about your goals. Many of my editing clients have found it useful to set deadlines and have check-ins. In some cases, working with me as an editor/writing coach and having that external cheerleading provided motivation for them to finish their projects. Make sure that you are committed, that your progress is being observed, and if possible, that someone besides you is invested in your achieving the goal.

You don’t have to do everything now.

You may have noticed the use of “goal,” singular. The key in achieving goals is not to set too many all at once. Rather than climbing that mountain right away, commit to baby steps by starting the training process. If you tend to make long lists of resolutions, set yourself fewer goals than you think you can realistically accomplish: that way your efforts will be focused. If you have a big vision and aren’t sure where to start, pick one step in that direction that you can get started on right away and commit to regularly. The key is just to get started. The fruits of a beginner’s effort will bring you more satisfaction than a dream unrelated to your actions.  

If you get closer to where you want to be, that’s a win.

We don’t always fulfill our new year’s resolutions. As I looked back on my goals for 2018, there was one that stood out as uncompleted. I hadn’t made the progress that I’d hoped, and felt disappointed looking back – until a loved one pointed out that I’d improved. I could see then that even if I hadn’t been 100% successful, setting and working towards that goal had still been a success. Maybe it’s the same for you. Are you in slightly better physical shape, for instance? Did you start that novel, even if you didn’t finish it? At the end of each year, look on your progress and celebrate. After all, no one says that you have to complete a goal in a year – you can keep going for as long as you like!

Good luck with your goal setting, and happy 2019!


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Celebrating My Wins of 2018

Some of my publications in 2018

It’s hard to believe that 2018 is almost over. Hopefully the year has had bright spots for you as it has for me. Following the publication of The Modern Enneagram in 2017, this has been a fruitful year of career building in writing and editing. I’m celebrating these wins as we honor the year that’s coming to a close and move towards the next.

Freelance editing

When I moved to Edinburgh from San Francisco in May 2017, I left my long-held part-time job as a writing tutor/instructor at an art college and moved into full-time self-employment. Initially, I offered writing coaching and set up an Enneagram workshop as well as seeking out editing projects. Beginning in 2018, my money-making direction clarified itself. While continuing to copy edit nonfiction, I had opportunities for developmental editing on fiction projects and began working with a new publisher on manuscript evaluations. It’s been richly rewarding to dive into story structure, hone my constructively critical eye, and give input in a way that’s appreciated.     

Anthology (and other) publications

While in Edinburgh, I participated in two lovely local writers’ groups and continued submitting my work. In addition to having articles and short pieces published, my work was accepted for four anthologies! It’s been exciting to have them arrive in the mail throughout the year and to discover gems from writers I wasn’t previously familiar with.

Here’s a round-up of my publications this year:

Hashtag Queer, Vol. 2 Anthology: Mira (short story)

Queer Around the World Anthology: Four Walks in Montreal (creative nonfiction)

Spoon Knife 3: Incursions Anthology: The New World (science fiction short story)

-Shut Up and Write Anthology: How a Volunteer Grandma Helped Me Find My Voice (personal essay)

-Page and Spine: Quicksilver (short story)

-Write Naked: What One Freelancer Did With a Month Off (guest post)

-School of Shine: Setting Intentions for the New Year; What I Left Behind; Land, Love, and My People (personal essays)

-ELearning Industry: 6 eLearning Trends to Watch for in 2018 (research article)

 

A few of my pieces were also chosen to be reprinted:

The Quilliad: Beast (poem)

-IEA Nine Points: Thoughts on the 2018 IEA Conference and Community (originally a blog post)

-Go Conscious: How Each Enneagram Type Can Build Healthy Habits (originally a blog post coauthored with Kacie Berghoef)

 

Enneagram conference presentations

While words are the most natural source of steady work for me, I love the depth and impact of the Enneagram. In 2018 I traveled to Amsterdam to give the mini-workshop, “Writing Your Enneagram Journey,” that participants enjoyed at summer 2017’s IEA Global Conference. I was also approached by my friend Chloe Keric-Eli, a Montreal Enneagram teacher, to submit a joint proposal for 2018’s IEA. As immigrants between multiple countries and cultures, our shared experiences led to the idea of presenting on “Where Culture Meets Type.” Participants at both conferences dove fully into the exercises, bringing insights about their personal and cultural stories that were illuminating for many in the room.      

A day job (and a move!)

Freelancing as an editor as my primary occupation provided wonderful opportunities to gain new skills, but it also highlighted additional things I wanted to learn. I realized that the most effective way to learn many of these would be to find an in-house role. Further, I hadn’t moved all the way to the UK to sit in my flat during working hours rather than engaging fully with the culture. Working with my primarily North American client base just wasn’t quite the same. I applied to day jobs in the editing field and was offered one in London working for RUSI, London’s venerable defence and security think tank. I moved in July, leaving a beautiful work-from-home space and gaining colleagues, increased confidence in my work, and skills ranging from project management methods to document design. When I’m not at my day job, I continue to work as a freelance editor on select projects. I’ve gotten quicker with my work, and more assured in making editorial choices. I’m committed and growing. I look forward to seeing where this career path takes me.

A novel draft completed

I have manuscripts sitting in my Dropbox folders that never made it to the book deal stage, and know from experience that finishing the first draft of a novel is a different beast from finalizing it and from hitting a chord that resonates with the reading public. I am, however, proud of the draft I completed this year. It’s a fantasy adventure story – the kind of thing I read for fun; the kind of thing I wrote as a youngster and teenager, and even then neglected to submit anywhere in favor of more “serious” stuff. I’ve been learning in the last few years that being fascinating does not make a thing less real. I put a lot of feelings about immigration and identity into this novel about magic. I got to invent a world with cities in caves and clouds, and I loved spending time there. I got to write “the end.”  

What are your wins this year?


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Nine Tactics for Winning NaNoWriMo

So, you’ve committed to writing a novel this month. The ambitious goal of completing 50,000 words of a cohesive story in 30 days is both daunting and exhilarating. Whether you’ve completed previous NaNoWriMo novels or are dipping your toes into these challenging waters for the first time, you’ve made the choice to face down that blank page right now. Where and how do you begin? Whether you’re a plotter or a pantser, a veteran or a novice, here are a few ideas that will help you finish November with a draft you’ll be proud of.

1. Structure before you begin (or don’t). Some people prefer to have every detail of their story planned out before they begin (see above re: “plotters”), while others like to let their stories surprise them (these are the “pantsers” of the writing world). If you have a strong preference, it can be genuinely challenging to work outside of your preferred method. However, it can also be revitalize blocked writing. When you’re looking to write something fast (like a NaNoWriMo novel), having an outline speeds your progress, because you know what to write next. If your story isn’t moving as planned, though, try giving it freedom to develop and seeing what twists and turns pop up as you go along. And if you’re an obsessive plotter, writing a fast novel by the seat of your pants might be an exhilarating, and even time-saving, experience.

2. Work with others. Writing is usually a solitary activity: one person, one keyboard (or notebook, or typewriter). But it doesn’t have to be. NaNoWriMo offers a treasure trove of virtual support, as well as in-person opportunities in many communities to meet and write together. Take advantage of these changes to find support and camaraderie with others who are embarking on the same writing journey. Other fun ways to bring collaboration into your writing process include completing NaNoWriMo with friends, working with a writing group or coach, or coauthoring a novel. (My coauthor Kacie Berghoef has a great blog post about book collaboration, which might be helpful if you’re looking to go this route.) Collaboration means you don’t have to work alone. When you run into challenges, you’ll have others around you who will understand and help you through them.

3. Write to reader interest. You want to write the book you want to write. Maybe you’ve heard about “writing to market,” and cringed at the idea. Why would you want to follow ephemeral publishing trends? Conversely, maybe you’ve thought, “if (insert best-selling author) can do it, surely I can,” and decided to take up some broadly selling genre, topic, or formula, whether or not your heart is in it. Writing to reader interest is more complex than many of us think, though. It’s not about writing to a script; it’s about writing something that will be enjoyed. When it comes right down to it, most of us aren’t writing solely for ourselves. We write because we have a story to tell, and we’d like it to connect with an audience. And, my desired audience is probably going to look different from your desired audience. Consider the type of reader who gravitates to your genre and interests, and rather than writing to a general audience, write in a way that will keep their interest. Changes are you’re part of your own target audience. What book would you love to read? Write that book.

4. Write from personal experience. It’s an old truism that you should “write what you know.” This doesn’t mean that you need to limit yourself to things you’ve experienced in the real world. If this were the case, we’d have no imaginative science fiction, fantasy, or horror to enjoy. What is helpful is to draw inspiration from your experiences to ground your story. When your character’s in an emotional situation, look to your past to bring to life similar emotions that you’ve experienced. Your background can add color, detail, and richness: if you have a long career as a gardener, for instance, you can bring unique skill in describing the setting’s plant life. And don’t be afraid to mine your past for ideas. Your life is a wealth of inspiration, if you look at it closely.

5. Research what you need to know. There are lots of times when your story idea will extend beyond your current knowledge. Don’t be afraid to consult other people, books, or the Internet to learn the answers to your questions. From familiarizing yourself with your setting to getting to know the technical or medical details of your plot points, you’ll find that you need to research more factors than you’d expect to get everything right. In addition to information,relevant images, videos, and narratives (not just books–consider blogs and other internet resources) can make good sources, as can reaching out to people in your network who are qualified to answer your questions. Some of this research may come after NaNoWriMo, during the revision process. When the information is important to the plot, though, don’t hesitate to look it up on the go.

6. Throw in some danger. I’m not talking about endangering your own life as you sit in front of your treacherous laptop screen – I’m talking about imperiling your characters! Most novels are about people with problems. To maintain reader interest, keep the problems building until the end. When one problem is solved, might the solution create another one? Plumb plot possibilities by asking, “What could go wrong here?” If you want to write a can’t-put-it-down read, try ending your chapters with cliffhangers.

7. Keep the process fun and rewarding. External incentives make excellent motivators to keep going. NaNoWriMo is already great for this, with pep talks from prominent authors, relevant sponsor offer “prizes”, and the goal of “winning” built in. Build in intrinsic motivation by focusing on the fun parts of the writing process itself. Each day, focus on writing something that’s exciting and intriguing to you. If your scene is boring, cut it out. If it’s necessary to the plot but not that interesting, bring in fun details, dialogue, or other colorful touches. If you maintain your own interest through each passage you write, your writing will intrigue your readers too.

8. Use action to drive the story forward. Your story is about things that happen. Make sure enough happens to keep the pace going. Even a reflective story needs to have a consistent, interesting sequence of events. Your characters, too, need to be active – especially your protagonist. If you notice that things keep happening to your main character(s), give them more agency. Make sure they make decisions and initiate events rather than simply reacting. Give them a choice in every chapter. Give these choices consequences that significantly influence the plot.

9. Look at the story as a whole. If you’re a plotter, consider thematic elements and plot and character arcs up front. If you’re a pantser, watch them evolve and keep them in mind as you write. Beyond storytelling and entertainment, what meaning are you seeking to convey? What ideas do you want to explore? Who are your characters beyond their surface traits? What motivates them, and how will they grow (if they grow – iconic or static characters can work too)? What will they learn from the journey you are taking them on? Looking at your novel on a macro level will help it resonate with themes that speak to your target readers, ensuring it is both cohesive and meaningful.

NaNoWriMo is a wonderful challenge to take on, and you don’t have to do it alone. Feel free to reach out for support if you’d like some writing coaching, or to share what you’re working on in the comments. Happy writing to all of you!