Melanie Bell

Author, Writer, Editor


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Learning Writing from the Masters: Pros and Cons of MasterClass.com

This year I was given an incredible birthday gift – a year’s subscription to MasterClass.com – and I wanted to tell you about it because I think there are many others who’d appreciate and benefit from these classes as well. MasterClass is a website that features video classes taught by celebrity experts in their fields, and the big names are really the draw. It’s not every day that you have an opportunity to learn about writing from Neil Gaiman or acting from Natalie Portman! Thus far I’ve focused on my subject of interest, the writing classes.

So what can you learn from the masters about their craft? A lot, I’ve found! This month I’ll share my breakdown of how MasterClass works, what you do and don’t get from it, and a taste of what I’ve learned from the writing classes so far.

How MasterClass Works

When you sign up for MasterClass.com, you can purchase either a single class for $90 / €70 or a year’s All-Access Pass for $180 / €150, which includes access to every class on the website. The All-Access Pass is a good deal if you’re interested in more than one of the classes, as it allows access to a wide range of content on your own time.

Each class features about 20 videos from the expert in question. They take the form of condensed mini-lectures of 10 to 30 minutes or so, focused on a particular topic and divided into subtopics. Catchy music breezes you in and out of each segment. Each class has an accompanying workbook that summarizes key points from each video and offer supplementary exercises. The classes also include “office hours” where you can post your responses to these exercises, and instructors provide video feedback to selected students, as well as a community hub.    

Pros and Cons

MasterClass is a wonderful way to learn from professionals who are or have been foremost in their fields. When you have instructors like Margaret Atwood, Judy Blume, and Dan Brown, their resumes speak for themselves. Students get to learn their philosophies and techniques – to see how these authors created their successful books and learn about the ups and downs of their careers.

Practical know-how is blended with heartfelt wisdom. The great thing I’ve discovered so far is that both of these vary from writer to writer. Listen to a few of the classes and they’ll start repeating key points, but also contradict each other at times! For instance, Judy Blume begins with character while Dan Brown begins with setting. R. L. Stine begins his class with by saying that, in contrast to the popular advice to write from your heart, he’s written many books and not a single one from the heart. You’ll take what works for you from each instructor and apply it as it fits, and there’s a wonderful sense of liberation in realizing this. The teachers thus far have all been animated, genuine, and encouraging. I get the sense that they believe in their students and want to see them succeed.  

The videos are well made, with good production quality and visual touches (Neil Gaiman showing pages from one of his comics, Margaret Atwood demonstrating point of view through moving around boxes and staplers). The format is easy to work into the day – you can easily listen to a video, say, on a lunch break or train commute. Everything goes at your own pace, so you can take the classes as quickly or slowly as you like. For self-directed learners, and those who learn well through online interaction, MasterClass might be as good of a fit for you as it is for me.      

MasterClass is not going to be for everyone. It’s not a substitute for the hands-on nature of an in-person writing group or workshop. If you’ve taken writing classes before, some of the content will be repetitive. Because the classes are so different, and the writers have diverse approaches, you’ll find that some will speak to you more than others. You’ll want to have the time to devote to digging in, learning, and really applying their teachings to your own writing, so some amount of “free time” for this is required. Some of you may be interested in taking classes on other topics, but there’s such a range (from politics to cooking to composing…) that you’re likely not going to take them all, or be interested in everything on offer. The workbooks vary in the intensity of their supplementary teachings and homework. Some feel more like outlines of the class, while others, such as Neil Gaiman’s, offer extensive reading lists and wonderful in-depth exercises to apply what you’re learning. If you’re committed to it, I believe that MasterClass and its teachings will improve your writing. I’ve found new insights and inspiration to revise the manuscript I’m working on.

If you’re reading this and thinking that MasterClass sounds like your thing, you can check it out here. Happy writing!    


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Video Review: Tapping for Your Type

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Co-written with Kacie Berghoef

We have something special to share with you this month. Psychotherapist and leadership coach Rachel Alexandria has released a series of videos that introduce a powerful process to heal our Enneagram types’ wounds. Introducing Tapping for Your Type!

Tapping, or EFT (Emotional Freedom Technique), is a kind of acupressure that uses points on the body to access your energy and ability to self-heal. By using your fingers to tap on specific spots such as the top of your head or side of your hand, you stimulate your body to shift stuck energy and clear emotional blocks. Tapping can be used to address many kinds of challenges, from anxiety to chronic pain to trauma. This video series is the first program to pair it with work on, in Alexandria’s words, our Enneagram “type challenges, limiting beliefs, and stuck patterns.”

There’s a video series geared toward each type, with a free demonstration video focusing on core issues (accessible on her site and via YouTube) and a subsequent set of videos focusing on the type’s common challenges with work, social issues, relationships, wellness, and spirituality and life path. Alexandria also encourages viewers to watch videos for their connecting points and wing, giving them a wide array of tools to address the stuck patterns they run into from day to day. If you’re butting heads with your boss, the work video would be a good one to come back to; if you’re grappling with questions of meaning and purpose, the spirituality and life path video will likely offer some gems of guidance.  

We’re both new to tapping, and Rachel Alexandria’s straightforward introduction makes it easy to dive in. Her videos show you a number of pressure points to tap and demonstrate the process. Thanks to their clear visuals and demonstration, any new practitioner can quickly tap along. The process works through a set of statements, repeated aloud and anchored in the body through tapping on a particular acupressure point. Each one follows an acknowledgment of a particular, type-characteristic challenge, such as “Even though I feel like I have to rebel against authority,” with words of self-acceptance or release, such as “I deeply and completely accept myself.” The result is more affecting and grounded than using affirmations, and the videos encourage listeners to look at their pain directly and delve into healing head on.  

Alexandria’s innovative approach has both breadth and depth, touching on a spectrum of challenges that each Enneagram type may encounter and offering validation and insights that can often be emotional. We highly recommend it for anyone who looking for a somatic tool to work on wearing their personality patterns more lightly and easing the chatter of the inner critic. You can check out the whole series here.