Melanie Bell

Author, Writer, Editor


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…And Here’s How the Songwriting Retreat Went!

I’m back from my songwriting retreat in the Peak District, where I spent a week in a converted barn in the countryside with a group of musicians and our facilitator, Murray Webster, who arranged daily activities and masterminded the whole thing.

There was a lot of talent in that one living space! Guitar chords rang out, piano melodies took shape, and voices harmonized. We had an eclectic mix of genres, instruments, and areas of expertise as well as experience levels. 

Each morning, we were given a brief to work on for the day, with a short introduction to the theory behind it. These mostly took collaborative forms. One day, each of us wrote a title, lyrics to someone else’s title, and music for someone else’s lyrics. Another day, we worked in trios to create a minor key tune. 

We performed our pieces in the late afternoon and had songshares in the evenings, going around the circle and performing songs we’d written. We cooked and cleaned together, took country walks, nighttime walks to a pond full of toads, and outings to nearby villages. 

The saddest part of the retreat was when one participant had to leave on the first day due to a pet’s death. She was a harpist and had brought a stunning instrument with her, only to pack it up and drive back to Glasgow in her malfunctioning truck.

While not perfect, on the whole, the group was surprisingly harmonious – kind of like our tunes. It helped that we all wanted to be there. 

I wrote a lot and got some useful pointers on my rudimentary guitar playing. I also decided to let go of a project I’d been certain I would do for the past few years. At least in the iteration I had in mind, it was no longer the right thing at the right time. 

I’m now collaborating on some songs with one of the other participants. And I found a second-hand alto saxophone in a local shop, a beautiful instrument with a black body and flower design. It’s an instrument I used to play but had never owned. Stay tuned – it may show up on a track at some point!   

In other news, the draft recording of my short radio drama is done, featuring original music and an eclectic mix of accents, and one of my short stories was accepted for an illustrated folklore anthology coming out in the autumn. I can’t wait to share both of these with you!


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Off I Go to a Songwriting Retreat…

In September 2021, I took a songwriting course with London Songwriters. Later this month, I’ll be joining facilitator Murray Webster and other songwriters for a retreat in the Peak District.

I’ve enjoyed making up songs since childhood, though not with the same intensity as I’ve pursued other types of writing. I look forward to making new connections, building skills, and enjoying some time in the countryside.

During my university days, I wrote a song I was quite proud of, inspired by Neil Postman’s book Technopoly. I’d like to think I’ve learned a few things since then, but the theme of technology and the value of the human experience (emotions, relationships) remains relevant. I’m sharing it below, with guitar chords (they remain the same across verses unless indicated otherwise), in anticipation of writing new music soon. Enjoy!

The Technopoly Song

Dmin C
Forward turns the lever
G
Onward grinds the mill
Dmin C
And this earth we stand on
G
Follows where they will
A Emin
Jehovah’s chained by numbers
A Emin
That practice to deceive
A Emin
In this world of aimless masters
A Emin
Tell me, what can we believe?

Chorus:

Bmin F#min
They say all roads will lead to Rome
Emin D (A)
Where is the path that guides us home?
Bmin F#min
Industryscapes where even love is mechanized
Emin D (A)
Is there a battle burning there behind your eyes?
Bmin F#min Emin
You take a step, beat steadying calls on certain drum
Emin F#min Bmin
Sing, will the sunrise in the city ever come?

We’ve been searching for our bearings
While money paves the street
Living as automatons
With strings pulled at our feet
We’ve harvested the oil wells
We’ve ravaged all the wood
Built a kingdom up of skyscrapers
Just because we could

Chorus

Our legends have no heroes
Disaster’s been foretold
Schumacher held a candle
While the masses mined for gold
But in the bonds of boxes
Searching eyes began to blink
And in the halls of bars and malls
Our souls began to think

Chorus

Take a moment to remember
Surrender your control
Your neighbours have begun to
See, they are growing whole
As we take time to breathe, to listen
Bonds of friendship will grow tall
Regaining what we’ve thought was lost,
Maybe never lost at all.

They say all roads will lead to Rome,
We walk the path that guides us home
Knowing true love never can be mechanized
Can’t you feel the passion blazing in our eyes?
Take up the drumbeat, hand in hand, one by one
Over the city can’t you see the rising sun?

They say all roads will lead to Rome,
We walk the path that guides us home
Knowing true love never can be mechanized
Oh can’t you feel the passion blazing in our eyes?
Take up the drumbeat, hand in hand, come everyone
Emin
Over the city can’t you see
Emin
Over the city can’t you see
City, can’t you see the rising sun?


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My Novel Chasing Harmony Is Out July 19!

In 2009, I started writing a novel while traveling across Canada. I was thinking about art and failure and how life seldom meets our expectations. I finished the manuscript while studying Creative Writing at Concordia University in Montreal, went through several drafts, and over a decade later, I’m delighted that the book found a home.

My YA novel, Chasing Harmony, is available for pre-order now and releases on July 19! The publisher is Read Furiously, a small press which donates a substantial portion of proceeds to literacy charities. They have shown a wonderful level of care for my book. Take a look at the cover and layout and you’ll see what I mean.

I’m honored that Reads Rainbow has featured Chasing Harmony on their list of Contemporary LGBTQ+ releases this July. (The main character is bisexual.)

Here’s what the book is about.

What happens when the music stops?

Since she was a child, piano prodigy Anna Stern has always stood out. As she becomes a teenager, Anna struggles to find her identity without the soundtrack of sonatas and concertos. There’s also the worry that comes with the crushing expectations of her musical gift and her parents’ imploding marriage.

Anna finds refuge in her best friend Liss, who is full of magic and escape plans, and the mysterious new boy at school… which becomes more complicated when she develops feelings for both of them. Most importantly, Anna has concerts to perform that will determine the course of her future as the haunting spectre of burnout lurks close by. As everything builds to a crescendo, what follows is an authentic life in the making.

Melanie Bell has created a compelling coming-of-age story for those that can relate to the search for untapped potential. Told in alternating timelines, Chasing Harmony reminds us of the exhilarating feeling that comes with hearing your heart’s song.”

And here are some places it’s available for pre-order:

The Furious Reader – https://readfuriously.com/products/chasing-harmony
Bookshop – https://bookshop.org/a/3392/9781737175896
Barnes & Noble – https://www.barnesandnoble.com/w/chasing-harmony-melanie-bell/1141640134?ean=9781737175896
Amazon – https://amzn.to/3nKS1rK

You can find Chasing Harmony wherever books are sold. Soon the physical copies will be in bookstores too!

In other publishing news this month, I have a poem in the Spoon Knife 6: Rest Stop anthology, and a story (about a woman who inherits a family home in England – but it comes with a chilling catch) in Cossmass Infinities, Issue 9.

I can’t wait for readers to pick up Chasing Harmony, and I hope some of you will see yourselves reflected in Anna’s journey!


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September is for Songwriting Class

The pandemic has led a lot of people to take up new creative hobbies. Last November I tried NaNoWriMo for the first time in lockdown. Last month, I took a songwriting class.

Making up songs is something I’ve done off and on, casually throughout my life, but never pursued in earnest. As a kid, I invented theme songs for the stories I acted out with toys. I sent my grandparents a cassette tape of songs about cats that I improvised. (Did my long-suffering relatives appreciate my off-key, feline-chase-scene version of the William Tell Overture? Probably not!) 

In first grade, I wanted to be a composer who wrote musicals when I grew up, before the writing dreams took hold. As a teenager, I had a folder of terrible lyrics stuffed in a drawer. I wasn’t a serious musician and I don’t have a gift for singing, but music has always compelled me. I wrote my first full-length novel about a musical prodigy, and am working with a publisher on it now.   

In lockdown, I had some song ideas again. Then I revisited the music theme in fiction by starting a fantasy novel about a composer, and realized that part of me wanted to turn those songs in my head into real music as badly as my character did. As music re-emerged as a force in my life, I downloaded some composition software called MuseScore, tried to put notes to some past songs, and found a songwriting class. 

The class was run by Murray Webster of London Songwriters, an experienced singer-songwriter and teacher. It lasted a month and sessions met online one evening per week. Murray teaches courses on both lyric and melody. I enrolled in “Write Great Melodies.”  

I’m glad I took that class. It was a small group, and much new (to me) material was presented. The sessions focused on rhythm, melodic notes, chords, and pitch/prosody, with intensive teaching and lots of examples from popular music. So much skill goes into creating something like Katy Perry’s song “Firework,” and it was insightful to learn how the pieces came together and why each one worked the way it did. Each week had listening and composing homework. I learned a lot in a short time and am still unpacking it. 

I appreciated that Murray believed in his students. He encourages everyone to express themselves and comes from the standpoint that everyone can learn and create. I left the class reflecting on the concept of unique voice. Because everyone is different (all the participants had different experience levels and backgrounds when it came to music and lyrics), no one else can write your songs. And maybe someone else will like them. 

We all have might-have-beens and dreams that never came to pass. Some of these aren’t possible in our world. (I’ll likely never fly on a broomstick.) Others might be worth giving a go.   

Since lockdown has eased, I’ve tried a lot of new things this year: horseback riding, kayaking, doing a Workaway, and now the songwriting class. The world seems full of wonder when I think about how much there is to learn and how many possibilities there are for the years ahead. 

What’s something you’ve always wanted to try?