Melanie Bell

Author, Writer, Editor


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Books I Read During 2020 That I Wouldn’t Have Otherwise

Books listed below. Fruit not included.

In 2019, I read a lot, partly thanks to gift cards that let me buy harder-to-access books I’d been wanting to read for years. I’d thought that in 2020 I’d spend less time reading and more time doing things. Then March happened.

The gist of it is, lockdown left me with a lot of reading time, and several authors generously offered their works for free. My TBR pile has only gotten longer. It’s been fascinating to get acquainted with authors I wasn’t familiar with and to read things I wouldn’t otherwise have accessed. Here are a few unexpected book finds of 2020. I hope you find them as comforting and fun as I did.

The Murmur of Bees by Sofía Segovia (trans. Simon Bruni): As COVID-19 made its presence known in Italy, I began a novel that turned out to chronicle the Spanish flu. A Mexican family takes in a disabled child who has a close relationship with a swarm of bees, and a compelling magical realist tale unfolds from there. The parallels between the pandemic I was reading about and the one whose impact I began to experience simultaneously were both unnerving and comforting. 

Mr. Hotshot CEO by Jackie Lau: I’d heard good things about Jackie Lau’s Chinese-Canadian rom coms set in Toronto, and jumped at the chance to read one offered for free at the time. A young, workaholic CEO’s nosy family enforces a vacation, and he hires a woman he sees at a coffee shop to teach him how to enjoy himself. This is foodie fluff at its most enjoyable. I swear, you will want to eat (or bake) every meal and treat in the book. It also has excellent “own voices” depression representation.

The Perilous Life of Jade Yeo by Zen Cho: Zen Cho is an elegant writer, and her historical novella is still free, so read it if you can! In the 1920s, a Malaysian writer in London writes a scathing book review – and attracts the author’s attention. This slim read is packed with curiosity, romance, scandal, and a delightful epistolary voice.  

Noodle Trails by Eileen Kay: A travel memoir about Thailand by a Scottish writer. Following a divorce, Eileen Kay retreats to Thailand, home of the suppliers of her now-faltering fair trade import business. This true story of a woman getting back on her feet in rough times is witty, joyful, and a lot of fun.

Three’s a Crowd and Other Family Stories by Kate Blackadder: Sweet and entertaining, these are traditional family stories with a twist. In this Scottish writer’s short fiction collection, you’ll meet funky grandparents, refurbished bikes, and Ceilidh bands. This was great for those days when I had a short attention span, as I could read one story at a time. 

Winnie and Wilbur Stay at Home by Valerie Thomas and Korky Paul: A timely (at the time) free picture book, and part of a popular series about a witch and her cat. At first, neither are thrilled about having to self-isolate, but with a little magical help, they find things to do. At the end, there are links to resources, including yoga and recipes.   

Shady Hollow by Juneau Black: Given the popularity of Animal Crossing, maybe you, like me, would be interested in reading a murder mystery set in a charming town of talking animals? Intrepid reporter Vera Vixen takes it upon herself to track down the murderer of the resident swamp toad. This cozy mystery is well executed and extremely fun. 

What have you been reading for fun in 2020? Have your tastes changed? Have you read anything unexpected?


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How to Write a Personal Story That Connects with Readers

I recently finished doing a manuscript assessment for a memoir. The author was eager to tell their story to future generations of their family, having put much time and effort into researching their own family history and finding the stories sparse. A memoirist in my writers’ group is impelled by the same impulse. The lines I’ve participated in critiquing are well crafted, the stories engaging. These two books have me thinking a lot about memoir lately, and one of my client’s comments made me think: “I know this story isn’t commercial.”

“Commercial” is another thing I’ve been thinking about. It speaks to the market, but the market is born from reader interest. Readers buy a book because they connect with the content in some form. For those who write memoirs, personal essays, and other forms of writing about their own experiences, their art becomes commercial when it resonates with others. Reading someone else’s story is most interesting when it connects to something you’ve felt, thought, wanted, or lived.

Many of us hunger to tell our stories. There’s a difference, though, between what works for the writer and what works for the reader. How to use the ephemeral medium of words to build a bridge between your experience and others’?

From reading and editing work based on personal experience, I’ve noticed that certain elements help an individual’s story resonate on a broadly appealing level. If you’re working on a memoir or personal essay, the following writing techniques might help it connect with readers, too.

Bring scenes to life. Rather than listing events, show your experiences by creating scenes. Incorporate the senses: What did you see, hear, feel, smell, and taste? If you’re writing a longer piece, dialogue can be built into your scenes to break up the narration. Because we don’t always remember what everyone said in the past, dialogue in memoir is often more of an approximation. That said, if you recall any memorable lines, by all means include them!

Be a character. Readers want to get to know you. Let your individual voice come through in word choice and craft. Use your story to highlight your values and share your feelings. It might be tempting to think that writing something “universal” means leaving your personality out, but the opposite is true. Few readers relate to a bland everyman or everywoman, while many will relate to a narrator who feels alive, even if they are quite different from the reader themselves. Don’t be afraid to take a stand. Let your uniqueness shine.

Build in a narrative arc. Readers appreciate progress and stories that make sense. While life doesn’t necessarily have clear-cut beginnings, endings, or climaxes, it’s helpful to shape your story so that it does have these elements. Show who you were before your story began, how your experience changed you, and why it matters.

Emphasize a theme beyond the personal. It’s often immensely rewarding to write about your life experiences, but readers want stories that have something to offer them beyond experiencing someone else’s reality. Look for universal truths that your experience individualizes. Maybe it relates to a global issue or relatable emotion. Bring out your story’s implications that are bigger than the scope of your personal sphere.

When done well, personal writing is some of the most powerful writing out there. It allows readers to experience walks of life they might never otherwise have access to, and it describes deep human experiences in ways that help them feel less alone. With thoughtfulness around audience and storytelling, your personal writing will shine. For some readers, your voice might be the very one they need to hear.