Melanie Bell

Author, Writer, Editor


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Finding Your (Writing) Style

Orange is not my color!

When I was first learning about the Enneagram (the personality system I teach and have written a book about), one conference presenter surprised me by handing out style questionnaires. I was a little perplexed – I’d come to learn about people’s inner worlds, not to talk about what types of clothing I preferred to wear! But her point was that people with similar personalities tend to use similar language to describe themselves, and this can be seen in how they think about their fashion choices. Style is more important, and multifaceted, than I’d given it credit for. And writing style is the same.

Learning some color and style systems recently, I’ve seen that their lessons can be applied to writing. Rather than being as superficial as I’d first imagined, they have brought about tangible transformations and solicited the type of feedback that many writers seek. Allow me to explain.

I’d started this hobby hoping to find clothes that were flattering, rather than spending money on garments that ended up sitting in the drawer because I felt like a frump whenever I walked around in them. I found out that my color season is true summer, which means that delicate cool tones with some richness suit me best. I picked out some makeup and clothes in those colors, including a white and deep pink sundress. To my shock, whenever I put that dress on, I get compliments. I’ve even had checkout clerks gasp and tell me how beautiful I was! That was certainly a first. Applying style principles such as the Kibbe system has been helpful as well. Swapping looser garments for tailored ones that suit my petite, narrow frame has led others to take me seriously rather than overlook the “tiny person.” I’ve had other clothes and styles that I liked over the years, but none of them had the same level of positive public response.

Just as color and style systems identify guiding principles for your best look, finding stylistic guiding principles for your own writing can be useful in choosing projects that tap into your strengths. Below are some questions I’ve borrowed from style and color systems that equally provide insight into writing style. (Feel free to use them the next time you’re clothes shopping, too!)

  1. Cool or warm?

Just as some skin tones favor cool colors and others are flattered by warm tones, some writers favor analytical, meditative, or descriptive prose, while others naturally tend towards action-oriented or direct styles. Where do you fall on the cool-warm continuum in your writing?

  1. What size and structure work best for you?

Just as different people look best in different shapes of clothes, different writers gravitate towards differing genres, project lengths, and structures. Not every memoirist will be happy as a science fiction writer, and not every novelists will take to poetry. In terms of word count, I’ve found it easiest to write either short, tightly crafted poetry or lengthier, full-length manuscripts. Both lengths rely strongly on inherent structure. It’s more of a challenge for me to get through the middle ground of a short story: to both create a plot and finish it concisely. What genres and project lengths are in your own comfort zone?

  1. How much detail suits you?

Similarly to length, it’s important to consider detail. Some writers love crafting intricate sentences, while others want to get to the point. Read through your old writing to get a sense of where you fall on the detail continuum. Where you put the detail is also important. Maybe you’re a writer who describes the landscape lavishly but wants to skip past the dialogue (or vice versa). Note your strengths and capitalize on them, while seeking feedback from beta or alpha readers to help fill any gaps.   

  1. What “feeling” do you convey most naturally?

Take out your old writing again and read for tone. What emotions are conveyed most strongly? Do you come off as a friendly and trustworthy teacher? Do you have readers on the edge of their seats in suspense? Identify your strengths in this area. Next time you begin a new project, think of a way to focus on the feelings and tones that you excel at conveying.   

  1. How can you make your aspirational styles work?

Out of the writers you admire, your style may bear resemblance to some of theirs and be completely different from others’. Maybe you’re a Hemingway-type who dreams of writing a magical mystery like J. K. Rowling’s. Here’s where your uniqueness really comes into play, because no matter what similarities your style may have to other wordsmiths’, no one else in the world writes quite like you. Strategize ways to write that thing you want to write your way, letting your talents shine. Take inspiration wherever you find it, and adapt it to the things you do best.

Just like with fashion, don’t be afraid to experiment with different writing styles. It’s a great way to find what works for you. Have fun discovering your most stylish writerly self!  


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Three Gifts of Storytelling

The holiday season is approaching, and with it a focus on gifts. It’s important to many of us to find just the right thing for our loved ones. But this is also a fruitful time for us to reflect on our inner gifts, and the gifts we can bring to ourselves.    

One of our greatest inner gifts lies in story, both the stories we have lived and those we imagine. Your stories belong to you and express your unique voice; no one else could tell the same one the same way. When you choose to write these stories down, you share this gift with readers. For some, it may be exactly the gift they need. And it’s a gift that works in two directions: your stories can reveal new insights and perspectives to yourself as well as to others.

The art of storytelling also has inherent gifts that you can invoke deliberately to bring out your writing’s meaning and coherence. When you write, it helps to keep in mind the following three gifts of storytelling, inspired by the Enneagram’s conflict resolution styles, as tools for revealing your story’s wisdom.

Gifts of Context

No narrative exists in a vacuum. All stories have greater meaning beyond their own existence. They have something to say about being human and existing in this world (even if they are set in a different one). What is your own story saying? Here are a few questions to keep in mind when considering the context of what you’re writing.  

  • What will this story give the reader?

Reader experience is important to think about. Are you speaking to a specific group of people, with a directed message? What do you aim to give through your story, and what will readers receive? Here’s where feedback helps to see if your intentions are conveyed effectively.

  • What possibilities does this open up?

Most stories engage with questions and options. There are multiple ways to tell a story and multiple decisions to be made as you go along. First person or third person? Reality or fantasy? Car chase or romance scene? What about both? Don’t be afraid to follow tangents as you’re writing and let inspiration lead you.

  • What themes are you engaging with?

Sometimes this question is a starting point and sometimes it isn’t clear until the end. This is your “I want to write about ___.” Why is this theme important to you? Chances are that your personal connection to theme will yield powerful material. What have others already written on this theme, and how can you engage with this wider dialogue?

Gifts of Logic and Structure

Writing isn’t just about context. It is also a structured art. Thinking ahead and strategically will help you create something coherent and polished, as will revising and rewriting once you’ve finished a draft. The following questions touch on important structural and logical points to keep in mind as you write.

  • What rules and constraints will you follow?

Most writing has a genre (or multiple ones) and structure. Some people prefer to lay out structure and logic from the beginning, creating outlines and defining parameters for their writing projects. Others “discovery write” and build in structure later, revising as needed. Giving some thought to the rules and traditions you will work in will help grant your project a strong shape.   

  • What is the “high concept” or interesting part of your writing?

The most successful narratives have an attention-grabbing hook. In your case, there must be something driving you to write your story in the first place. Follow your inspiration to its source to find this aspect, and let it guide your writing. Keeping your own interest in mind will keep your story lively for readers, too.

  • What knowledge and research do you need?

Often, our stories require knowledge we don’t already have. Cue reading, Google, and asking primary sources. Experts in a field often have the most informed and targeted answers. Some experts might even be willing to read your story and give suggestions. Decide what you need to know and start learning.

Gifts of Emotion

Consider the emotional undercurrents that shape your story. How does the project make you feel, and what feelings do you want it to evoke in the reader? Just as it’s useful to read in your genre, it’s helpful to look at sources that reflect a similar emotional landscape for inspiration. The primary source of your own experience is invaluable, too.

  • What elements of internal life are you portraying?

Keep this question in mind as you build characters and narrative voice. The same plot event can be told multiple ways to evoke different emotions. Just as your story is a journey of sorts, its emotional arc takes your reader on an inner journey, with different landscapes and realizations.

  • How do reactions drive the story?

When plot events occur, they impact both outer and inner worlds. Dive into their consequences by having your characters react, and allowing their reactions to drive events. Show the internal impact the events have, as well as the consequences of your characters’ decisions.

  • What goals drive the story?

This question shapes structure, but is also at the core of your narrative’s emotional landscape. Something needs to happen, and this “something” is never neutral. It presents high stakes for narrative and character(s) alike. How does the character feel about the goal, and about plot events in relation to it? How do you feel about these?

With these questions in mind, explore the gifts that your story brings. What is new and unique, resonant and true about it? What aspects will stay with the reader long after they put it down?