Melanie Bell

Author, Writer, Editor


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The Bestseller Experiment: Can You Write a Bestselling Book in a Year?

For two years, I’ve wanted to go to London Book Fair. This year I was finally going to get there, accompanying colleagues to look after ICE Publishing’s stand, network, and learn. Then, as you can probably guess, the fair was cancelled due to the coronavirus. The sound reason did not dim my disappointment. Despite the cancellation, though, I got one good thing out of the London Book Fair: acquaintance with the Bestseller Experiment

When reading through the list of Insights Seminars planned for the fair, I saw that there was a live episode planned for the Bestseller Experiment podcast. The name intrigued me. A bestseller is a big promise. What could a “bestseller experiment” be and how did it work? I looked the podcast up and discovered it was created by two British men, both named Mark, who sought to write, edit, publish, and market a bestselling book in a year. What an awesomely audacious goal! I began listening, and soon I was hooked. 

The pair of podcasters make appealing foils for each other. Mark Stay is a seasoned writer, with a novel and movie to his name, and a veteran employee of the traditional publishing industry. With the benefits and cynicism of experience, he acts as the podcast’s pessimist, skeptical of the likelihood of success but game to go forward. Mark Desvaux, a Canada-based life coach who’d started books prior to the podcast but hadn’t finished them, is the pair’s optimist, bringing enthusiastic belief in their success and a sense of spirituality to offset his co-host’s national outlook. It’s fun to listen to the two Marks bouncing off each other. What really makes the podcast shine, though, is the caliber of its interviews. 

From the get-go, Mark and Mark interview industry professionals and bestselling authors of both traditional and indie titles. They set out to find the “secret sauce” that makes a book or an author into a bestseller, speaking to the likes of Bryan Cranston, Joanne Harris, Joe Abercrombie, Michelle Paver, Shannon Mayer, and professionals from NaNoWriMo, Kindle Direct Publishing, authors, agents, editors, and more. All the interviewees speak lucidly and eloquently about their craft and share a wealth of knowledge about the industry. Their writing journeys differ, from those who have worked in obscurity for years before having a sales or publishing “breakthrough” to early success stories, from those who hate revision to those who love it, but all share a belief in writing success because they have all experienced it. Every episode I’ve listened to so far has been worth the time, and all have left me with a feeling of hope.  

What bestselling secrets has the podcast shared? So far, the interviewed authors share a belief in taking yourself seriously as a writer (most of them write every day and set themselves word counts), having deadlines (I share their experience of writing faster when somebody gives me a due date), and writing about topics that matter to you. Again and again, the authors reiterate that you can’t write a bestseller cynically, and that good books come out of love of the subject you’re writing about. Many of them recommend go-to books on the craft of writing, and some share marketing tips. Editors and agents encourage writers not to worry about trends and to write what they’re interested in. The need for self-care when writing is also explored.  

The Marks also share the stages of their journey in writing a book. In one of my favorite episodes, Ben Aaronovitch tells them off for writing a 50,000-word “outline”! I also enjoyed listening to the Marks discuss an editor’s critique of their manuscript. Since they wrote about a female protagonist, the editor suggested using a female pseudonym, and I’m pleased to note that they succeeded without one (though Mark Desvaux used the shorter pen name ‘Mark Oliver’). It’s no spoiler to note that the Marks indeed wrote and self-published a Kindle bestselling novel in a year. Back to Reality is a fast-paced story about time-travel, body swapping and the lives one could have lived. Its success doesn’t surprise me given the excellence of the Marks’ podcasting platform, but it does make me smile. They did it! And the podcast is still going and growing, with many of their listeners publishing books including more bestsellers. If you’ve ever dreamed of writing a bestseller, you might enjoy listening to it, too. Thank you, London Book Fair!   


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The Myth of the Solitary Writer: How to Build a Support Team

Think of a writer. You’re probably picturing a lone figure with a laptop, right? A big part of being a writer is the writing itself, an activity that’s usually done in solitude by a single individual. However, the work of a writer involves collaboration at multiple levels, even for the most introverted of the bunch (raising my hand here)!

This March I attended the Scottish Association of Writers’ 2018 Conference and witnessed this firsthand. Making connections with other writers offers a peek into just how interconnected we who work on a blank page or screen are with myriad others, seen and unseen.  

Books (and blogs and articles and poems…) don’t exist in isolation. They are influenced by years of reading habits and inspirations. Think about anything you’ve written and you may be able to trace ideas back to things you’ve read or seen, or identify texts that have influenced your style. Reading is what gets most of us interested in writing in the first place, which means that writers inspire other writers.

Look in the acknowledgments section of a book and you’ll find a list of names who have helped the author more directly. Critique groups and individual readers have often given valuable input into what works and what doesn’t. Editors have polished the manuscript to its full potential, and publishers have brought it into the world. Friends and family have offered support through the process of writing and publishing.

It can be motivating to hear others’ perspectives on our writing, and also a good reality check. Critique partners and beta readers approach your manuscript with fresh eyes and can give a first-hand opinion on which aspects appeal to readers and where your manuscript might be strengthened with changes. It’s most helpful to find early readers who enjoy your genre and style, as they’ll want to read the best version of whatever it is you are working on, rather than turning it into something else. They can also let you know if the words on the page convey the things you intend in your head. Once a book is published, the words are out there and people will interpret them in ways you may not have intended. Early readers can point out gaps in understanding and help you clarify your meaning.

If you’re looking to build a support team for your own writing, here are some places to look:

  • Get to know other writers. They’re working towards the same goals as you, and can offer understanding and support.  
  • Seek out critique groups and beta readers to get input on your work. You can find these in person or online.
  • Find books and learning resources that will keep you up to date on the area in which you’re writing.
  • If you’re looking to traditionally publish, reach out to agents and publishers when your manuscript is ready. Publication involves a whole team working to bring your book into readers’ hands.
  • If you’re looking to self-publish, you’ll be assembling that team yourself. Find an editor to help with structure and flow and a proofreader to check for final errors. Unless you’re an artist, you’ll likely want a cover designer as well.
  • Get to know readers! This can be one of the most rewarding aspects of being published: seeing the impact of your (yes, often solitary) work on others.

There are lots of other forms of collaboration that can be helpful for writers. I’ve touched on just a few here. Do you have a favorite?